National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

This is a drawing of a radiant figure in a heavenly setting. The image shows a grand throne-like structure with an arch, decorated intricately. At the top center is a figure emanating light, seated upon clouds, holding onto an object. Below this figure, there is a group of seated figures in dynamic poses. They appear to be interacting in a harmonious manner. The scene is encased in an ornately decorated frame, filled with flowing patterns and acanthus leaf designs, emphasizing grandeur and spiritual elevation.

Drawing2010.38.1

A Reliquary of Saint Sigismondo

Giovanni Battista Foggini

1719 · pen and brown ink over black chalk on laid paper

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The image shows a series of flowing lines and circular shapes creating an abstract composition. The swirls and curves suggest movement, while the circular forms resemble faces or gestures.

Drawing1943.3.1724.a

A Resurrection Scene (The Gambols of Ghosts) [recto]

William Blake

1805/1808 · graphite

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The image features a park setting where people are gathered for a formal event. The horizon is marked by trees, and a classical structure with columns is in the background. Dynamic clouds fill the sky, while elegantly dressed individuals are seen mingling along a pathway. Closer to the viewer, groups of people are gathered, with some climbing a tree and a man on a horse to the right. The scene is depicted in soft colors, with blues, greens, whites, browns, and pastel shades conveying a lively atmosphere.

Drawing1963.15.17

A Review on the Champs de Mars

Jean-Baptiste Le Paon

possibly 1773 · gouache

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The image shows a landscape viewed from a slightly elevated perspective. The horizon is in the upper third of the composition, with hills, trees, and a bird in the sky. The scene includes rocks, grass, water reflecting grassy banks, a figure on horseback with a dog, and rocky outcrops and trees in the distance. The color palette is monochrome in shades of gray.

Drawing2013.13.1

A Rider by a Mountain Pond at Sunset

Adolphe Appian

1870s · charcoal with stumping on wove paper

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The painting depicts a landscape with a serene body of water in the foreground. In the center, there is a wooden bridge with figures walking over it. To the right, there is a rustic house surrounded by greenery and a white picket fence. The sky is filled with clouds ranging from light cream to dark gray. The color palette includes earthy tones, muted grays, and blues. Birds can be seen in the sky and near the water.

Drawing2012.35.1

A River and Cottage with White Paling

Thomas Shotter Boys

1833 · watercolor over graphite with gouache and scratching out on wove paper

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The image shows a landscape with a lower perspective looking up at a large hillside or cliffs. The horizon is positioned in the upper third of the image, marked by the crest of the hill. Wispy clouds are seen just below this line in the sky. The hillside has broad brushstrokes indicating a rough texture, while trees below it are painted with intricate, shorter strokes. A body of water flows horizontally in front, with its surface depicted using horizontal brushstrokes. The color palette is monochromatic, consisting of different shades of brown.

Drawing1993.1.3

A River Bank with Mountains Beyond

Franz Innocenz Josef Kobell

Date not recorded · brown wash on laid paper

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This is a drawing of two classical figures, one standing and one reclining, both appearing to interact with a floating form. The drawing is sketched in neutral tones, primarily in gray, with areas of darker shading emphasizing the forms. The standing figure on the left is draped in flowing garments with a gentle expression, holding an object in one hand and gesturing toward the reclining figure with the other. The reclining figure on the right has a muscular build, leaning back on one arm. A third form is present, which appears to float above the reclining figure, exhibiting dynamic movement in its drapery. The scene suggests a narrative interaction, reminiscent of mythology or classical allegory.

Drawing1998.105.1.f

A River God and Two Classical Sculptures

Jacques-Louis David

1775/80 · gray wash over graphite on laid paper

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The image depicts a landscape with a calm river and a serene woodland scene. The horizon is high, beyond a cluster of trees. The etching style features detailed textures in the foliage and water. The color palette is sepia-toned. Near the viewer, the riverbank is lush with grass, transitioning into a forest across the water. A wooden fence is visible to the right. In the distance, more trees blend into the background to create a harmonious landscape view.

Print1943.3.2889

A River in Ireland

Francis Seymour Haden

1864 · etching with drypoint

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This image depicts a landscape scene created using a stippling technique. The horizon is positioned at the center, featuring distant spires and rooftops of a village. Rolling hills, shrubs, and a body of water are depicted in varying densities of dots. The sky is filled with scattered dots resembling clouds. The composition is rendered in monochrome black ink on a white background.

Drawing2013.100.1

A River Landscape

Albert Dubois-Pillet

c.1888 · pen and black ink

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The image depicts a landscape viewed from a slightly elevated position. The horizon is high in the image, showing rolling hills extending into the distance. A path runs through the scene, lined by a wooden fence that continues into the landscape. The brushstrokes vary in technique with dense, dark lines in the foreground for texture and lighter, sketchier lines for depth. The color scheme is primarily monochromatic, with tan paper complementing black and grey ink tones, creating a classic and timeless look.

Drawing2015.19.3548

A Road in the Hills Near Dordrecht

Walter Shirlaw

1870-1877 · pen and black ink on wove paper mounted to paperboard

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The image depicts a landscape seen from an elevated perspective. The horizon is low in the composition with scattered trees and a simple structure. The brushstrokes are delicate and sketch-like, creating a sense of movement. The color palette is soft, primarily earthy browns and greens. Close to us, there is a wide expanse of land with a dirt path leading to the house in the distance. Trees flank both sides, adding depth. The sky is depicted with a pale wash, indicating overcast weather. The artwork conveys a calm and expansive natural environment.

Drawing2011.128.1

A Road through a Country Village

Christoph Nathe

c. 1790 · watercolor over graphite on laid paper

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The image depicts a forested landscape. The thick canopy of trees covers much of the upper half, with leaves and branches detailed through brushstrokes. Tall trees are on the left and right sides. In the middle distance, there is an opening between the trees with a person walking and another person on horseback further away. The color palette is monochromatic, focusing on light and dark contrast for depth.

Print2015.74.1

A Road through the Woods

Philipp Hieronymus Brinckmann

1740 · etching on laid paper

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The image shows a dense woodland with thick foliage. The horizon is not visible as the vegetation fills the frame. The brushstrokes are detailed and textured, capturing leaves, branches, and undergrowth. The color palette is monochromatic with sepia tones. The scene includes ferns and bushes in the foreground, while tree branches interweave in the distance to form a dark canopy. The image conveys depth through layers of foliage that extend into the shadowy background.

Photograph1995.35.5

A Rock in the Forest

Eugène Cuvelier

c. 1865 · albumen silver print

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The image shows a seascape with turbulent waters beneath a vast sky. The horizon is high, with rocks and cliffs visible against it. A rock sticks out from the waves, holding a shipwreck. The sky is filled with clouds, painted with textured strokes for depth and movement. The color palette is grayscale, ranging from dark waters to lighter skies. The brushwork is detailed, creating a dramatic atmosphere.

Print2002.98.135

A Rock in the Sea

Elbridge Kingsley

c. 1890 · wood engraving in black on japan paper

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The image shows a seascape view from a low angle, looking towards an expansive body of water. The horizon divides the ocean below from the sky above. There are no distinct objects on the horizon. The brushstrokes are textured and soft, with a subtle speckled effect creating movement in the water and sky. The color palette is primarily browns and sepia tones, creating an earthy and monochromatic feel. Rugged, rocky formations stretch into the water on the right, while the water extends into the distance, meeting a cloudy sky with varying shades of brown.

Drawing1995.52.198

A Rocky Coast by Moonlight

William West or Samuel Jackson

late 1820s · brown wash with blotting and surface scraping on wove paper

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The image depicts a natural scene with trees and rugged terrain viewed from a slightly elevated angle. The sketch-style drawing features loose brushstrokes and stippling techniques to show texture and movement. The color scheme is monochromatic with dark lines on a light background. The scene includes twisted tree trunks, branches, and rocks in the foreground, with more trees and rocks in the background that fade into lighter ink strokes, suggesting depth and distance.

Drawing2009.70.245

A Rocky Hillside with Dead and Dying Trees

Adolphe Etienne Viollet-Le-Duc II

Date not recorded · pen and brown ink with graphite on tan wove paper

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The image shows a landscape with rugged terrain, rocky outcrops, trees, softly rolling hills, and a castle or fort in the distance. The scene is presented in a monochromatic palette of sepia tones. The drawing uses detailed linework to depict textures such as foliage, stone, and water. A bridge crosses over a waterfall, with trees and clouds in the sky.

Drawing2009.70.48

A Rocky Landscape with a Stone Tower and a Waterfall

Adriaen Frans Boudewyns, attributed to

Date not recorded · red chalk over traces of graphite on laid paper

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The image shows a scene from an elevated viewpoint of a sunken area with a wooden bridge crossing two wooded sections. The brushwork is detailed, showing texture in the trees, bridge, and leaves. The horizon is at the top of the image, with a winding path curving behind the bridge. The color palette is gray, typical of a monochrome etching, emphasizing depth and detail. Gnarled trees with swirling branches frame the scene, while the pathway leads to a rocky landscape in the distance. The image focuses on texture and form rather than color.

Print2013.74.1

A Rocky Landscape with the Temptation of Christ

Sebastian Vrancx

1620s(?) · etching with engraving on laid paper

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The image shows a landscape viewed from a slightly elevated angle. The perspective offers a broad view of the serene scene. A line of trees marks the high horizon. The pencil sketch captures the undulating terrain and foliage with flowing strokes. The color palette is muted. The drawing depicts grass, rocks, and a small body of water in the foreground. In the distance, large trees and vegetation extend towards the horizon, creating a sense of tranquility and space.

Drawing2006.84.2

A Rocky Meadow by a River

Jean Achille Benouville

c. 1840 · black chalk with white chalk on blue laid paper

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The image is a landscape view with a natural scene depicted in fine etching. The horizon is situated towards the middle of the composition, where the land gently rises, and a subtle outline of distant hills is visible. Large rocks and foliage are depicted close to us, with a lone, barren tree extending upwards on the left side. The etching features intricate and well-defined brushstrokes, including thin lines and cross-hatching to create texture and depth. The color palette is monochromatic, with dark tones against a lighter background. In the distance, additional clusters of trees can be seen, rendered with similar linework to convey movement and detail.

Print2002.157.46

A Rocky Pond

Laurent de La Hyre

1640 · etching on laid paper

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The image shows a landscape with trees, rocks, and water. The perspective is slightly elevated. Rocks are prominent in the central area, with various shapes and textures. Trees and foliage are depicted with detailed brushstrokes. The color scheme is sepia, creating a warm and vintage atmosphere. The scene includes water reflecting rocks, distant hills, and faint cloud formations.

Print2002.157.47

A Rocky Pond

Laurent de La Hyre

1640 · etching on laid paper

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The image shows a rugged coastline with a rocky shore on the right. The sea and sky have a grey-blue hue, suggesting a stormy or overcast atmosphere. Waves are crashing against the rocks. A ship with a tilted mast is partially submerged in the water. The brushstrokes are delicate and soft, creating a misty effect. The color palette includes muted grays, blues, and earthy browns. The sky is cloudy, adding to the foreboding atmosphere.

Drawing2015.111.1

A Rocky Seacoast in a Storm

Gabriel Hippolyte Lebas

1840s · watercolor with gouache and gum arabic on wove paper

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The image shows a landscape view from a slightly elevated perspective. In the foreground, there is calm water with a small boat and figures. In the background, there are rocky cliffs, hills, a path, and a few structures among trees. Rolling hills lead to the horizon, meeting the sky. The artwork features delicate and precise brushstrokes, defining textures of rocks and foliage. Ink washes suggest contours and lighting. The color palette includes shades of gray and muted earth tones, creating a serene visual effect.

Drawing2001.135.1

A Rocky Shore at Coombmartin, Devon (Combe Martin Bay)

Francis Towne

1783 · pen and gray-brown ink and wash on laid paper

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The image shows a landscape with a small figure standing among trees. The horizon is not clearly defined but is indicated by a line of trees. The artwork is monochrome, likely using ink or watercolor with expressive brushstrokes creating a textured effect. The foreground has darker, dense foliage while the background has lighter, softer colors resembling clouds. The color palette consists of black, gray, and white tones.

Drawing2022.40.56

A Rocky Wooded Landscape with a Figure by a Stream

Thomas Gainsborough

1781 · black and gray wash with pen and black ink on tan laid paper

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