National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

This is an image of an ornate clock design. The clock face is intricate and decorative, bordered by a frame with swirling motifs and sculptural embellishments. The corners feature small cherubic figures. The clock hands are stylized, fitting within Roman numerals. The composition is symmetric and detailed, reflecting a classical artistic tradition.

Drawing2003.104.1

A Rococo Clock with Sirens, Putti, Masks, and a Bird of Paradise Pointer

Giovanni Bettati

Date not recorded · pen and brown ink with brown and gray wash over graphite and black chalk on laid paper

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The image displays a complex arrangement of flowing curves and ornate lines in an abstract architectural composition. The shapes resemble elaborate garden trellises and floral embellishments, akin to large decorative arches in classical gardens. Detailed patterns suggest foliage, with leaves and tendrils weaving through the design, while the base is decorated with shell-like motifs. The curved forms on either side of the structure resemble the bodies of peacocks. Ornamental columns and arches enhance the overall grandeur, conveying a sense of a luxurious outdoor space.

Drawing2004.31.1

A Rococo Garden Trellis and Gazebo

Jean-François de Cuvilliés I

c. 1750 · pen and black ink with brown wash, heightened with white gouache on blue laid paper

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The image depicts a pastoral scene with a cloudy sky dominating the top part of the picture. A line of trees marks the horizon in the distance. Near the foreground, there is a path along a riverbank where figures and horses are loading hay onto a cart and a boat. The style is monochrome with detailed brushstrokes showcasing textures. The color palette consists of shades of gray and brown.

Print1943.3.7657

A Roman Canal

Frank Short, after Peter De Wint

1904 · mezzotint in black

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The image shows an elevated viewpoint overlooking a grand architectural setting. The horizon is suggested by rising structures and distant pyramids, including an obelisk. The drawing style features loose brushstrokes with sepia tones, creating a sketch-like quality. The color palette is mainly monochromatic with light brown and beige. Closest to the viewer are large, indistinct shapes, figures, and vehicles. Further away, a curved colonnade leads to a monumental arch and pyramid structures among bustling figures. The sky has soft, sparse clouds.

Drawing2019.46.3

A Roman Capriccio

Hubert Robert

c. 1763/1764 · pen and brown ink with brown wash on laid paper

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A drawing of an ancient Roman structure with a fountain and sculptures. The image features a large, pyramid-like mausoleum structure in the background. In the foreground, there is a sculpted fountain with a reclining figure and a lion's head from where water flows. A dog interacts with the water, while two women talk beside the fountain. Additional sculptural elements can be seen on the structure, including a human figure relief. Natural elements like shrubs and stones are present in the scene.

Drawing2009.70.199

A Roman Capriccio with the Pyramid of Gaius Cestius

Hubert Robert

1781 or later · pen and black ink, with brown and gray-brown wash over black chalk counterproof on laid paper

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The image is a pencil sketch depicting a large classical building, likely part of an architectural complex. The viewpoint is slightly elevated. The horizon is subtly indicated at the top of the structures. There are arched windows and a figure or statue on one of the roofs. The drawing is characterized by light, precise pencil strokes outlining the scene with no shading. The color palette is monochromatic, with pale gray against an off-white background. The building extends into the distance with light foliage framing the scene.

Drawing1998.105.1.uu

A Roman Church

Jacques-Louis David

1775/80 · graphite on pale blue laid paper

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The image shows a covered outdoor hallway or patio viewed slightly from the side. The architecture leads the viewer's eyes from left to right towards a doorway and window in shadow. On the left, there are textured stone walls and an arched entrance opening into a darkened interior space. A figure in a cloak stands in the shadow, while another figure leans on the ledge of an opening. The roofline is angled and supported by a beam, directing the gaze towards the open, bright area on the right where potted plants are placed against the wall. Loose and expressive brushstrokes capture the rough stone texture and shadows. The color palette consists of warm earth tones, muted browns, slate gray, and pale blues, creating an enclosed yet light-exposed atmosphere.

Drawing2019.45.14

A Roman Cloister

François-Marius Granet

c. 1802/1819 · pen and brown ink and brown wash and watercolor over graphite on wove paper

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Sculpture1957.14.177

A Roman Emperor

Italian 15th or 16th Century, after the Antique

15th or 16th century · bronze//Medium brown patina

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This is a drawing of Roman soldiers and standard-bearers. The artwork depicts a group of soldiers in detailed armor and shields. Each soldier wears traditional Roman military attire including helmets with crest decorations. Some soldiers carry staffs with insignia. The soldiers stand closely together, conveying unity and order. The background shows sparse foliage details. The style is classical Roman with detailed linework emphasizing muscle definition and textile intricacies.

Print2009.118.1

A Roman Legion

Marco Dente

1515/1527 · engraving on laid paper

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The image shows a classical building with Corinthian columns and arched openings, surrounded by vegetation. Two figures are depicted fishing near the ruins. In the background, there are hills, trees, and sky rendered in muted tones. The artwork features delicate linework with watercolor or ink washes, creating a soft, atmospheric quality. The color palette includes earthy tones, grays, soft browns, and pale greens, evoking a historical ambiance.

Drawing2017.28.1

A Roman Ruin

Antonio Zucchi

1788 · pen and brown and gray ink with brown, gray, and red wash over black chalk on laid paper

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The image shows a street with architectural elements, a statue on the left, and mountains in the background. The drawing uses fine lines and cross-hatching for shading. It is in black and white with varying shades of gray. Buildings with arched windows line the street, leading to an archway in the distance. Birds are lightly sketched in the sky.

Drawing1983.49.154

A Roman Street with Monte Cavo in the Distance

Joseph-Marie Vien

1744/1750 · graphite on laid paper

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This is a detailed drawing of a bustling scene set in an ancient Roman setting. The drawing features numerous characters in classical robes and armor, with a large amphitheater in the center resembling the Colosseum. The foreground includes figures engaged in various activities, and the background showcases classical architectural structures and a grand ceremonial entrance. The composition is intricately detailed with fine lines and a sepia tone, depicting a dynamic tableau of historical or mythical narrative.

Drawing1985.1.62

A Roman Triumph

Maarten de Vos

Date not recorded · pen and brown ink with brown and gray wash

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The image shows a bird hanging upside down by a piece of twine tied to its foot and a nail. The bird has plumage with soft pink, white, grey, and black colors. The background is dark brown, and a fly is visible to the left of the bird. The bird is in the center of the image, with its wings and tail feathers extending outward, while the nail and twine are at the top.

Drawing2002.16.1

A Rose-Breasted Finch Hanging from a Nail

Barbara Dietzsch

c. 1760 · watercolor and gouache on vellum on old mount

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The image features a lower angle perspective looking up at a rocky outcropping where elegantly dressed people are gathered. The individuals are situated on a large rock and to the right, interacting amid shrubs and trees. The horizon is obscured by the rocky terrain, but the sky above is clear with soft cloud formations. The brushstrokes are detailed, capturing the texture of the rocks and foliage. The color palette includes earthy tones for the rocks and vegetation, with pops of color in the clothing of the people. In the distance, there are soft transitions between the sky and distant terrain.

Drawing2007.111.8

A Royal Party Admiring the Sunset atop the Hesselberg Mountain

Johann Georg von Dillis

1801 · watercolor, gouache, and pen and gray ink over graphite on laid paper

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Drawing2016.76.2

A Ruined Abbey by a Waterfall

William Payne

c. 1800 · watercolor and gouache with graphite on wove paper

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The image shows a pastoral view with a castle ruin near the center, slightly to the left. The horizon blends into misty mountains in the background. The painting uses gentle, textured brushstrokes to create a soft, dreamy quality. The color palette consists of muted earth tones, soft greens, warm yellows, dusty roses, and muted blues. Nearby, two figures are attending to a small boat on a rocky shoreline. Trees near the ruins have delicate foliage.

Drawing1995.52.107

A Ruined Castle on a Lake

William Leighton Leitch

1881 · watercolor over graphite on wove paper

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The image shows a dense and somewhat overgrown forest scene with what appears to be ancient ruins or arches in the background. The brushstrokes are loose and fluid, focusing on capturing shapes and textures. The color palette is sepia-toned, with a timeless quality emphasizing light and shadow in the wooded area. Closest to us are tree trunks and thickets with variations in tone hinting at leaves and vegetation.

Drawing2007.111.5

A Ruined Church in the Forest

Carl Blechen

c. 1834 · brush and brown ink and watercolor over graphite on light gray wove paper

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The image is an etching of an architectural interior view. The perspective is from a low vantage point, highlighting archways, columns, and a high vaulted ceiling. The scene emphasizes a massive structure enclosing the space, with archways leading to another building in the background. The brushstrokes create texture on the stone surfaces and shadows for depth. The color palette is monochromatic with shades of brown and black, capturing light and shadow. People are depicted small in scale.

Print2016.158.1

A Ruined Vault with a Vista of Saint Peter’s

Victor Louis

late 18th century · etching on laid paper

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The image shows a ground-level view of a landscape with a tall windmill on the right side, a person near a small water body, dense vegetation, scattered trees, and a cloudy sky. The scene evokes a serene and contemplative atmosphere.

Photograph1995.63.1.k

A Ruined Water-Mill

Peter Henry Emerson

1886 · platinum print

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The image depicts a wetland landscape with a horizon showing silhouettes of bare trees, small houses, and a windmill. Long grasses grow out of the water with their reflection visible in the calm surface. The scene is in a soft, monochrome palette dominated by shades of grey and taupe, evoking a calm and quiet atmosphere. The textures are gentle with smooth transitions between elements, suggesting either an early morning or late afternoon under an overcast sky.

Photograph1995.63.1.ii

A Rushy Shore

Peter Henry Emerson

1886 · platinum print

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The image shows a rural scene from an elevated viewpoint. The sky with cloud-like strokes and a thatched roof cottage are visible. Figures are standing near steps on the left, and detailed tree outlines are seen on the right. The monochromatic color palette highlights the ink line details on the paper background.

Print1998.63.10

A Rustic Barn

Louis Gabriel Moreau the Elder

c. 1780 · etching on light blue laid paper

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Print2008.115.3588

A Rustic Bridge

Thomas Moran

1879 · etching in black

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The image shows a view from a shaded, tree-covered area with an open wooden gate dominating the right side. A path is visible through the gateway, surrounded by dense foliage. The horizon is seen in the distance with trees capturing light. The artwork is an intricate etching with detailed lines and crosshatching creating texture and depth. The color palette is monochromatic, using shades of black and gray to give a timeless visual impact typical of etchings.

Print1996.12.3

A Rustic Gate beside a Lake

Salomon Gessner

1764 · etching on laid paper

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The image shows a rustic building viewed from the ground level. The building dominates the scene, with no visible horizon. The building has rough stone walls and thatched roofs depicted in fine brushstrokes. The sepia tones create a warm, earthy color palette. Close to the right, there is a seated figure, likely an elderly woman. Next to her is a barrel and a bundle of sticks or logs against the wall. The image portrays everyday simplicity and country life.

Drawing1992.76.2

A Rustic House in the Grand Rue at Sceaux-Les-Chartreux

Johann Georg Wille

1766 · brown chalk and brown wash on laid paper

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