National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image shows a rural scene with an old timber-framed house in the center, surrounded by rolling hills, clusters of trees, and a dirt path. A horse, figure, and wooden fence are on the right side. The brushstrokes are detailed, emphasizing the texture of the architecture. The color palette includes muted earth tones and soft grays against a lightly clouded sky.

Print2020.149.35

A Rustic House with a Tottering Wood Fence

Joseph Constantine Stadler, after Joseph Farington

1792 · soft-ground etching printed in brown with aquatint printed in blue and brown on laid paper

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The image depicts a rural scene with fine lines and cross-hatching for texture. There are wooden planks, branches, and a small thatched roof structure in the foreground. Two women are seated near fabric. In the background, there are thatched roof cottages and trees. The scene is monochromatic, using sepia tones.

Drawing1992.76.1

A Rustic Kiln at Vernon

Johann Georg Wille

1761 · brown and black chalk on laid paper

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This drawing features an array of geometric shapes and intricate line patterns arranged in an abstract manner. At the center, there's a rectangular formation with a circular pattern inside. On either side of the central shape, there are additional circular designs divided into segments, with one on the right that looks like a sun. At the top and bottom of the drawing are several vertical and horizontal lines that connect to other circular and angular forms. These forms themselves are made up of small swirling lines that look almost like cursive letters of varying sizes. The lines and shapes are drawn in dark blue on off-white paper that appears slightly wrinkled.

Drawing1971.83.26

A Sacred Sheet Sent from Holy Mother Wisdom by Her Angel of Many Signs

Semantha Fairbanks and Mary Wicks

1843 · pen and blue ink

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The sculpture depicts a scene with six human figures standing around a central object resembling an altar or pedestal. The figures are in various poses, some holding objects like staffs or sticks. Above them is a textured/banner-like element. The sculpture is made of a material resembling bronze with a dark gold or brownish color and an aged patina. It is intricately detailed with a slightly raised relief effect.

Sculpture1957.14.420

A Sacrifice

North Italian 16th Century

c. 1500 · bronze//Light brown patina

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The image displays an intricately carved circular medal or medallion with a relief sculpture. The central figures are engaged with each other over a small burning altar or brazier. One figure is sitting and the other is kneeling. There is a seated fully nude figure, facing another draped figure. In the background, there are two standing figures and a small statue on a pedestal depicting a cherub with outstretched arms. The sculpture has a metallic bronze hue, implying it is made of bronze. The surface is finely detailed, emphasizing the relief figures and surrounding elements. The piece is bordered with decorative scrollwork and bears inscriptions, notably "LCRII" along the bottom edge.

Sculpture1957.14.344

A Sacrifice to Cupid

Paduan 16th Century

c. 1525 · bronze//Dark brown patina

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Three women are depicted in different positions. The woman on the left is kneeling, with a hand on a basket of flowers. Her other hand reaches towards the woman in the center. The woman in the center stands angled, looking towards the left, holding a floral garland towards the woman on the right. The woman on the right stands with raised arms. In the background, there is a statue on a pedestal, a lush tree canopy casting shadows, and an open landscape with more trees. An urn with a motif is placed on a pedestal to the far right.

Print2002.107.1

A Sacrifice to Hymen (Three Daughters of Sir William Montgomery)

Thomas Watson after Sir Joshua Reynolds

1776 · mezzotint on laid paper

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This is a drawing of multiple figures gathered in an outdoor setting with mythical and allegorical elements. The figures are depicted with dynamic poses and gestures. The use of reddish-brown ink accentuates the lines and curves of the bodies and fabrics. On the left, figures are engaged in action or interaction, while the right side shows two figures near a pedestal or drum. The flowing drapery and idealized form of the figures contribute to a classical or baroque style. The drawing suggests themes of mythology, allegory, or religious narrative.

Drawing1987.24.3

A Sacrifice to Pan

Andrea Sacchi

early 1630s · pen and brown ink and wash over red chalk on laid paper; laid down

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The sculpture depicts a horse standing with its head lowered. The horse is detailed with visible musculature, a slightly open mouth, and keen eyes. It wears a bridle and saddle. The sculpture is crafted from bronze and presented on an oval-shaped base.

Sculpture1999.79.26

A Saddled Racehorse

Pierre-Jules Mêne

model c. 1860s · bronze

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The image shows a river with sailboats gliding through the calm water. Lush, tree-lined banks merge with the horizon in the distance. The sailboats have billowing sails and are spread out across the water. The closest sailboat is on the right with figures on board. Other boats are further away, creating depth. The sky is overcast with a sepia tone. The color palette is subdued, giving a vintage quality. Soft, diffused clouds complement the tranquil atmosphere.

Photograph1995.63.1.d

A Sailing Match at Horning

Peter Henry Emerson

1885 · platinum print

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The image shows abstract, sketchy lines and shapes that suggest an incomplete or rough draft. Dominant horizontally oriented forms appear at the top of the sketch, complemented by descending vertical lines, creating a sense of depth. Two prominent shapes below resemble triangles or bells, which could be interpreted as light fixtures or hanging baskets. The shapes imply a structured and abstract representation of a scene with horizontal and vertical elements.

Drawing1995.52.100.b

A Sailing Ship [verso]

Edward Lear

1839/1845 · black chalk on light brown wove paper

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The image shows a person in a dynamic stance with one leg bent and one arm resting on a rectangular surface. The figure is facing away from the viewer with long hair flowing down to the neck. They are wearing flowing robes and holding a tablet. The background is a simple textured surface.

Drawing1991.150.68

A Saint Holding a Book

Attributed to Gioacchino Assereto

c. 1640 · red chalk and brown wash, heightened with white and incised for transfer on wove paper; verso rubbed with red chalk covering a red chalk study of a reclining man seen from behind

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This is a drawing of a decorative tabletop standing on two ornate bases. The tabletop is oval with intricate detailing around the edges and features a central crest or coat of arms with floral and leaf motifs. Below are two pedestal bases with ornamental detailing. The drawing is in a sepia tone, giving it an aged appearance.

Drawing2016.68.2

A Salver and an Openwork Base

Luigi Valadier

1755/1760 · pen and brown ink with brown wash over black chalk and graphite on laid paper, laid down on an album sheet

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The image depicts an ornate decorative stand or platter with intricate floral and leaf patterns along its edges. In the center, there is a heraldic shield or crest motif. The base has a curving stand with detailed styling similar to the rest of the design. The drawing uses a monochrome palette.

Drawing2016.68.1

A Salver with Two Bases

Luigi Valadier

1755/1760 · pen and brown ink with brown wash over graphite on laid paper, laid down on an album sheet

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The image shows an etching of a seascape with an elevated viewpoint. The horizon line is low in the composition, with a cloudy sky above. The sea and ships are depicted with precise linear strokes. A larger ship is in the center, with billowing sails, and a smaller sailing vessel is positioned to the right. The etching is done in a monochrome palette of black and gray.

Print2016.89.21

A Samoureus

Reinier Nooms, called Zeeman

c. 1652/1654 · etching with drypoint on laid paper

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The sculpture depicts a small, ornate triangular structure resembling a box with a circular opening at the top front. The exterior is adorned with decorative reliefs, including a central face with detailed wavy hair and laurel embellishments around it, and winged cherub-like figures at the top triangle's edges. The sculpture is predominantly dark brown with a metallic finish, suggesting it is made of bronze or a similar metal. The structure stands on small spherical feet, giving it an elevated presence. The design and intricate patterns suggest a classical influence, capturing viewers' attention with its detailed motifs and the craftsmanship of its metallic surface.

Sculpture1957.14.62

A Sand-Box

Paduan 16th Century

c. 1500 · bronze//Black lacquer over medium brown bronze

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The sculpture features detailed carvings on its surface depicting multiple human and mythical figures in dynamic poses. Two sculpted figures resembling women protrude from the sides, with scroll-like bases curling underneath them. The piece is made from dark material, possibly bronze or metal, which gives it an antiquated look. The front panel displays a series of densely positioned figures, creating a visually complex design.

Sculpture1957.14.63

A Sand-Box (Triangular)

Follower of Andrea Briosco, called Riccio

c. 1525/1540 · bronze

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The image depicts two monochromatic close-up photographs of plant stems. One stem has deeply serrated leaves, and the other stem features tightly wrapped leaf or bud formations in a spiral pattern. The color palette is grayscale. The layout shows the stem with serrated leaves on the left and the spiral-wrapped stem on the right. Both images are enclosed by a beige border, and the number 71 is in the bottom right corner.

Print2006.133.34.71

a Sanguisorba canadensis; b Vincetoxicum fuscatum

Karl Blossfeldt

1928 · photogravure

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Sculpture1942.9.192

A Satyr

Master of the Martelli Mirror

late 15th or early 16th century · bronze

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Sculpture1957.14.128

A Satyr

Master of the Martelli Mirror

late 15th or early 16th century · bronze//Dark brown patina over light bronze

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Drawing1991.190.2

A Satyr

Benvenuto Cellini

1544/1545 · pen and brown ink with brown wash over black chalk on laid paper; laid down, with framing line in brown ink

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Sculpture1957.14.127

A Satyr and a Bacchante (Allegory of Reproduction)

Liard Family workshop, Paris, after the Master of the Martelli Mirror

fourth quarter 19th century · bronze

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This is a drawing depicting a scene with an elderly, bearded figure playing a flute while surrounded by smaller creatures with human and animal characteristics, possibly mythological beings or satyrs. A dog sits near the figure's feet. The setting shows lush vegetation, suggesting a woodland or forest backdrop. The drawing uses a monochromatic palette of earth tones and fluid line work.

Drawing2017.84.1

A Satyr Entertaining His Family

Domenico Piola

1690s · pen and brown ink with brown wash over traces of black chalk on laid paper

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The image shows a pastoral scene with a forest viewed from a low angle. The horizon line and hills can be seen in the distance with a textured sky. The trees are densely packed, their canopies casting patterns of light and shadow. The engraving utilizes etching techniques to create texture and depth. The color palette is limited to sepia tones, creating an antique effect. In the foreground, a figure with a staff is bending towards the ground, while three other figures are visible further back under the trees. The scene conveys the tranquility and complexity of the natural landscape through detailed line work.

Print1973.32.47

A Satyr Gathering Fruit

Herman van Swanevelt

Date not recorded · etching

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The image shows a full-body drawing of a seated figure with short, curly hair and small horns on their head. The figure has a somber expression, one hand on their knee, and the other hand holding a long staff. The figure is nude, with a textured background creating a sense of depth.

Print2018.77.3

A Satyr Seated in a Landscape

Andrea Appiani

1808/1812 · lithograph on buff wove paper

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