National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image is a sketch of a male figure from the knees up. The man is in a seated position, with his torso slightly turned to one side and his head looking in the opposite direction. His facial features are not detailed, but the outline suggests a firm expression and a prominent forehead. He has short hair that is indicated with soft strokes. The figure is dressed in a flowing robe, draped over his shoulders and falls in folds around his body. There are no visible objects or jewelry being held or worn by the figure. The background is a plain, textured surface with shading, and the edges of the artwork are framed with a border.

Drawing1971.62.1

A Standing Man in Classical Drapery

Girolamo Muziano

1544/1549 · brown and gray wash with white heightening over black chalk on green-blue paper laid on brown washed paper and then on an eighteenth-century French mount

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Drawing2022.75.5

A Standing Man Leaning on a Stick

Salvator Rosa

c. 1662 · pen and brown ink with brown wash, laid down on laid paper

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The image is a sketch of a man standing. He is facing slightly to the right and has a slight slouch. The man's facial features are drawn in a simple and expressive manner, with a pronounced nose and elongated face. His hair is curly and frames his head. He is wearing a long coat that falls below his knees, buttoned down the front, and loose sleeves with wide cuffs. The man is wearing boots that cover his legs up to the calves. The background is plain with no additional objects or patterns. The image is bordered by a sheet of paper that appears somewhat aged with slightly cut corners.

Drawing2009.70.237

A Standing Man Wearing a Great Coat and Boots

Style of Giovanni Battista Tiepolo

Date not recorded · pen and black ink with gray wash on tan laid paper

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The image shows a sketch of a person with three-quarters of the body visible. The figure is slightly turned to the side, with the head facing the viewer. The facial features are minimally detailed, and the hair is styled simply. The clothing is indicated by flowing lines, possibly a robe or long garment. The person's arms are sketched in front of them. There is no jewelry or objects. The background is plain, and the sketch is done in a medium resembling red chalk or pastel on light-colored paper.

Drawing2015.148.1

A Standing Man with Cloak and Gloves

Bernardo Strozzi

1630s · red chalk on laid paper

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The image displays a nude figure, captured from the upper thighs up. The person's body is slightly turned to the side, with their head tilted down. They have short, dark hair that partially obscures their forehead. The facial features are soft, with closed eyes. One arm is bent with the hand resting on their chest, while the other arm hangs down the side of the body. The background is a dark, textured surface that contrasts with the highlighted tones of the figure. No clothing, jewelry, or objects are present.

Print2012.92.318

A Standing Nude

Max Klinger

1891 · mezzotint and etching on japan paper

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The image is a sketch of a person standing upright. The person has a long beard and is wearing a rounded hat and draped clothing that flows down to their feet. Their facial features are not distinctly drawn, but the outline suggests elongated features beneath the hat. The clothing is loose, with a shawl or cloak draped over the shoulders and long sleeves. The figure holds a small stick or similar object in one hand. There is no detailed background.

Drawing1946.21.338

A Standing Oriental Holding a Rod

Giovanni Battista Tiepolo

1753/1762 · pen and brown ink with brown wash on laid paper

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The image shows an illustration of a person standing upright. The figure is facing slightly to the right with both arms down. The right hand is holding an object that appears to be a cup or a small container. The individual has a long beard, a partially shadowed face, and is wearing headgear that suggests a cap or hat. They are dressed in a long coat with buttons, possibly a robe, extending below the knees and draping over both shoulders. The feet are visible below the hem of the garment. The background is a plain, empty space without additional details or objects, focusing on the individual.

Drawing1946.21.337

A Standing Oriental Wearing a Greatcoat

Giovanni Battista Tiepolo

1753/1762 · pen and brown ink with brown wash on laid paper

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The image shows a person standing upright, facing slightly to the side with their head tilted forward. The person has deep-set eyes, a bushy beard, and thick, curly hair. They are wearing flowing garments with a cloak fastened over one shoulder, depicted with loose, expressive lines. In their right hand, they are holding a staff upright. The background is plain and unadorned.

Drawing2007.68.1

A Standing Saint

Domenico Beccafumi

Date not recorded · pen and brown ink on laid paper

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The image shows a full-body drawing of a person standing straight with one hand at chest level and the other by their side. The person has indistinct facial features and a neutral expression, short wavy or curly hair, and wears a loose, long robe with full sleeves, detailed with a pattern or design along the edges, and a textured, heavy fabric appearance. The background is plain and lightly shaded.

Drawing2009.70.174

A Standing Saint Holding a Book and a Palm Frond

Spanish 17th Century

Date not recorded · black chalk, heightened with white chalk on tan laid paper

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The image is a sketch of a person from the torso up, seated and turned slightly to the right. The facial features, beard, and hair are depicted with lines and shading. The clothing is loosely drawn with flowing lines. The individual holds a stick or staff in one hand and rests their other arm on something. The background is plain.

Drawing2001.35.1

A Standing Saint with a Crucifix and a Book

Francisco Herrera II

1660s · pen and iron gall ink on laid paper

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The image shows a full-length drawing of a stylized person with unique facial features and hair. The individual is depicted tilting slightly, with swirling lines around them that could represent clouds. The person is dressed in flowing clothing holding a long, slender object, possibly a quill, and a sheet of paper. The background consists of swirling lines resembling clouds or fabric on a plain parchment.

Drawing2016.75.1

A Standing Sibyl with a Scroll

Luca Cambiaso

mid 1550s · pen and brown ink on laid paper

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The image shows a person in a dynamic pose, with one arm extended upward and the other arm holding onto a draped piece of fabric. The individual's body is angled slightly to the side, standing on one leg with the other bent at the knee. The facial features are softly defined with a serene expression, and the hair appears wavy. The person is unclothed, with the fabric strategically covering parts of the body. The background has a monochrome color scheme with a decorative pattern on the right side. There are no prominent jewelry pieces or objects, and the setting suggests a stylized, artistic representation without a defined three-dimensional background.

Print2014.56.13

A Standing Youth Gesturing to His Right

Anton Maria Zanetti I, after Parmigianino

1723 · chiaroscuro woodcut printed from three blocks in deep purple, light brown, and pink on laid paper

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This is a drawing of a nude figure draped with a flowing cloth. The figure is standing on a small patch of ground, with one hand raised and touching a piece of cloth above. The artwork is rendered in monochromatic blue tones, with soft shadows and highlights accentuating the musculature and form of the figure. The background is minimal, focusing attention on the figure.

Print2014.56.14

A Standing Youth Gesturing to His Right

Anton Maria Zanetti I, after Parmigianino

1723 · chiaroscuro woodcut, printed in three blocks in two shades of gray-green and ochre

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This drawing depicts a detailed scene with various figures and angels surrounding a central figure. The composition is filled with intertwined human forms and mythical creatures, with the central figure seated prominently at the top. Some figures have wings, while others appear to be struggling. Many figures are shown in dynamic poses with vivid expressions. The bottom half of the image shows a grouping of figures with various actions and expressions. The scene likely draws inspiration from religious or mythological narratives, with rich symbolism and storytelling detail in the clothing and facial features.

Print1947.7.42

A Star Falls and Makes Hell to Open

Jean Duvet

1546/1556 · engraving on laid paper

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The image shows two birds on their backs. One bird has glossy black feathers with iridescent highlights, while the other is tawny with white and brown spotted undersides. The color palette includes earthy browns, tawny yellows, and hints of iridescent greens and blues. The larger tawny bird is slightly on top and to the right of the darker bird, which is to the left. In the background, there is subtle imagery of grass and foliage in muted natural tones on a brown background.

Drawing2018.44.31

A Starling and a Lark

William Page

1863 · watercolor on wove paper

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The image displays a maritime scene showing sailing vessels from a low angle above the water. The horizon is in the upper third of the image with ships against the sky. Two intricate ships sail through choppy waters with billowing sails. The etching technique shows detailed texture of the sails and waves with a monochromatic color palette of black and grey. A faint shoreline is visible in the distance.

Print2016.89.16

A States Yacht and an "Uijtlegger" or Escort Vessel for the Waddenzee

Reinier Nooms, called Zeeman

c. 1652/1654 · etching with drypoint on laid paper

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This is a drawing of an interior scene with multiple figures in a public setting. The drawing portrays a group of figures gathered in a room, some seated and others standing. In the foreground, there is a tall central figure engaged in an activity. The room is filled with various individuals, some standing closely together and others scattered around the space. The artist uses line work and shading to depict the scene, creating a sense of activity and interaction. Cross-hatching techniques are employed for depth and texture, capturing the lively atmosphere. The drawing is done in brownish hues on paper using charcoal or pencil.

Drawing1995.52.90

A Station Buffet

Charles Samuel Keene

Date not recorded · pen and brown ink over graphite touched with white gouache on brown wove paper

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The etching depicts a landscape from a slightly elevated viewpoint. The horizon line is above the center, with distant mountains. An arched stone bridge spans horizontally, reflecting in the water below. Two figures are on the bridge, with detailed clothing. A path on the left leads up a hill, with trees and a tall structure with figures. Lush vegetation surrounds the bridge, with mountains in the background and a sky textured with horizontal lines suggesting clouds. The color palette is monochromatic, in line with the etching technique.

Print1973.32.6

A Stone Bridge

Herman van Swanevelt

Date not recorded · etching

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The image shows an elevated perspective looking at a medieval castle on a bridge. The horizon is implied by the castle walls and towers going up into the sky. The drawing features fine pencil strokes giving texture to the stone surfaces of the castle and surrounding landscape. A bridge arches up in the foreground, with buildings underneath on the left. Trees and bushes are nearby and the distant castle with round towers is the focal point. The color palette is monochrome, with shades of gray and black created by varying pencil pressure for tonal depth.

Drawing1983.49.173

A Stone Bridge and the Fortified Entrance to a Town

Joseph-Marie Vien

1744/1750 · graphite on laid paper

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Three individuals are depicted in a grassy outdoor area. The person in the center is facing forward, wearing a beige garment with fringe details, a necklace, and a feathered headdress. They hold a decorated object. To the left, a slightly smaller individual stands wearing a similar outfit with necklaces and a red cloth belt. This person also wears a feathered headdress. To the right, another person is shown turned sideways, wrapped in a beige cloth or blanket with long dark hair tied back. Each person wears moccasin-style footwear and colorful striped leggings. The background shows a softly painted sky with hints of clouds and distant greenery.

Painting1965.16.161

A Stone Warrior, His Wife, and a Boy

George Catlin

1855/1869 · oil on card mounted on paperboard

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The image shows a pastoral scene from a slightly elevated perspective. A thatched structure is in the background on the right. Close to us, a partially nude figure is embracing another figure near a resting cow, with another cow in the shadows. The figures are detailed with intricate line work using fine hatching for texture and depth. A herd of cattle is seen resting and grazing in the grassy area on the left. The landscape extends into the distance with trees under a large tree's branches. The image has a monochromatic palette with dense black and white lines emphasizing textures and forms within the composition.

Print1972.69.2

A Storm

Moyses van Uyttenbroeck

Date not recorded · etching

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The image shows a valley surrounded by hills, with buildings on a distant hill. The landscape is depicted with expressive brushstrokes, emphasizing the texture of the scene. The color palette is sepia-toned. Figures are walking on a path near shrubs and trees. In the background, there is a building with a chimney and tall trees. The sky has clouds and beams of light.

Drawing2007.111.96

A Storm over the Mountains near Nocera

Attributed to Johann Wolfgang von Goethe

c. 1787 · pen and brown ink with gray wash over graphite on laid paper

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The image depicts a rural landscape with figures and animals close to us, a cluster of trees leaning towards the right, and a thatched roof house in the distance. The horizon line is low, showcasing distant hills and trees under a dramatic sky. The brushwork is dynamic, capturing movement, notably in the wind-swept trees. The color palette features earthy tones and cooler hues dominating the sky. A church spire slightly punctures the skyline to the right, amid swirling clouds and wildlife, enhancing the depth and activity within the scene.

Drawing1980.13.1

A Stormy Landscape

Marco Ricci

c. 1725 · gouache on kidskin backed with paper

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A Stream Running between Houses and a Road

Drawing1985.64.101

A Stream Running between Houses and a Road

Johan Barthold Jongkind

Date not recorded · watercolor over graphite

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