National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The sculpture depicts a sphinx - a mythical creature with features of a human and a lion, including wings. The sphinx has a lion's body, wings, and a human-like head with elongated facial features. The material appears to be bronze or a similar metal with a green patina and areas of darker brown. The creature is shown in a reclining position, with its head turned to the side and detailed feather-like patterns on its wings. The sculpture is on a flat base with geometric patterns along the edge. It could be a fragment as one edge appears to be cut flat, suggesting it may have been part of a larger piece.

Sculpture1957.14.145

A Sphinx to Right

Florentine 15th Century

15th century · bronze//Dark red-brown patina

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The image shows a monochrome drawing of a woodland scene with a stag standing at the center. The viewpoint is at eye level with the stag, positioned right of center. The horizon is obscured by dense foliage and trees. The drawing style includes intricate pencil or ink strokes to depict the stag's fur and surrounding flora. A lattice-like structure made of branches is visible behind the stag. The color palette consists of shades of gray and beige. Trees frame the composition, with fine details like grass and stones included.

Drawing2006.146.1

A Splendid Young Stag before a Wattle Fence

Johann Elias Ridinger

1736 · graphite and gray wash on laid paper

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Drawing1985.64.98

A Sprig of Plums

William Michael Harnett

1873 · charcoal and black chalk with stumping and scratching out on cream wove paper

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This is a painting of a street scene with a carriage and pedestrians in a bustling setting. The scene conveys a sense of chaos with people and animals reacting to something happening in the street. Some people appear disarrayed, with hats and umbrellas flying in the air. The background shows residential buildings with blue roofs and trees. The style resembles that of Thomas Rowlandson, known for caricatures and social commentary through humorous depictions.

Print1945.5.634

A Squall in Hyde Park

Thomas Rowlandson

1791 · hand-colored etching and aquatint

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The image shows two large plant stems on a beige page. The stem on the left has a textured, vertical structure with jagged leaves. The stem on the right has a smooth, branching design with protruding spurs. The color palette is primarily gray.

Print2006.133.34.48

a Stachis grandiflora; b Nicotiana rustica

Karl Blossfeldt

1928 · photogravure

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This is a print of a boxing match in an arena. Two shirtless boxers are seen grappling in the ring, with a referee nearby. The audience surrounding the ring is shown at the bottom watching the match, some turning to speak to each other. The background is black

Print1956.6.13

A Stag at Sharkey's

George Bellows

1917 · lithograph in black

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The illustration features a stag standing on a patch of grass and foliage. The perspective is such that the viewer looks slightly upwards at the stag. Above the stag is the horizon, showing a rocky outcrop or hill against the sky in the distance. The image has a detailed, monochromatic palette with shades of brown, beige, and gray. The fur of the stag, tree trunk, and leaves show cross-hatching and delicate lines for texture and depth. The sky is gray with a few clouds, enhancing the earthy tones of the landscape. The detailed illustration aims to capture the natural elegance of the forest scene realistically.

Drawing2007.111.151

A Stag beneath a Mighty Oak

Johann Elias Ridinger

1735 · pen and brown and gray ink with brown and gray wash over graphite on laid paper

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The image shows an engraved artwork depicting a dynamic scene viewed from the side with a slightly elevated perspective. The horizon features a line of distant hills, trees, and swirling clouds. In the foreground, riders on horseback and hunting dogs pursue a lion. The figures are detailed with fine strokes, showcasing classical engraving style. The color palette is monochromatic with black, white, and shades of gray. Tall trees frame the composition, adding to the sense of movement and vigor.

Print1975.32.9

A Stag Hunt

Jean Lepautre

Date not recorded · etching and engraving

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The image depicts swirling and curly lines and shapes spread across the canvas. In the center, a silhouette resembling a deer with antlers is visible against a textured backdrop. The patterns give an abstract appearance, resembling curly plant tendrils or streams of air.

Print1943.3.7564

A Stag, A Study

Théodore Roussel

c. 1890 - 1898 · softground etching on laid paper

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This is a drawing of a grand architectural interior. The image depicts a vast, elaborately decorated hall featuring numerous intricately carved columns and arches. The structure showcases a rich use of decorative stonework with twisted columns and ornate ceiling panels. The space is enclosed by a series of arches that suggest depth and grandeur, extending into the distance. The floor is composed of rectangular tiles leading the eye toward a focal point at the center of the composition. There are several statues alongside the architecture that add to the opulent and majestic ambiance, mimicking classical figures. The drawing utilizes contrasting tones to distinguish elements and create a sense of depth and three-dimensionality.

Drawing2022.14.1

A Stage Design for an Opera with Actors

Workshop of Giuseppe Galli Bibiena

18th century · pen and black and brown ink with gray and brown wash on laid paper, laid down

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The image shows a castle with a circular tower, a statue positioned on a pedestal on a path leading to the castle entrance. Tall trees flank the path, forming a natural archway. The castle walls have fortified turrets and an ornate gateway with intricate stonework and carvings. In the background, there are more trees and faint outlines of hills. The scene is in a monochromatic sepia tone, emphasizing depth and detail with subtle shading variations.

Drawing2009.70.25

A Stage Set with a Statue and a Palace

Daniel Marot the Younger

1730s (?) · pen and black ink with gray wash on laid paper

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The image shows a detailed line drawing of a cluster of lilies. The drawing features blossoms and buds on tall stems. The color palette is limited to black lines on a beige background. The flowers, stems, and leaves are prominently displayed, with a vertical composition.

Drawing2007.111.31

A Stalk of Lilies with Six Blooms

Philipp Otto Runge

1808 · pen and black ink over graphite on very light green laid paper

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The image shows a dense forest scene with tall trees and intertwining branches in a naturalistic style. The perspective is from a slightly low angle, emphasizing the branches reaching into the sky. The focus is on the trees, filling the vertical composition. The brushstrokes are detailed, depicting the texture of the bark and leaves. The color palette includes earth tones and a pale blue-gray tint in the background, creating a serene atmosphere.

Drawing2011.36.1

A Stand of Birch Trees

Johann Caspar Huber

Date not recorded · brown and gray wash with pen and brown ink over black chalk on blue laid paper

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The image shows a landscape with trees, a low horizon line, a statue or structure in the distance, a fine linear style, warm sepia tones, and a sky with soft clouds.

Drawing1991.4.1

A Stand of Cypresses in an Italian Park

Jean-Honoré Fragonard

c. 1760 · red chalk on laid paper

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The image shows detailed sketches of tree trunks with precise lines depicting bark texture. The trunks and branches fill the frame with no visible horizon. The drawing style includes fine lines for leaves and branches. The color palette is muted with shades of grey. Fallen leaves and branches are depicted near the base of the trees, and thinner lines in the distance suggest more foliage.

Drawing2007.111.70

A Stand of Trees

Heinrich Dreber

1840 · pen and brown and gray ink over graphite, with stumped graphite, on laid paper

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The image shows a woodland scene from a slightly elevated viewpoint. Two large trees with textured bark are in the foreground, with detailed leaves. A felled tree is to the right, and more trees are seen in the background with lighter strokes. The scene suggests a forest landscape in graphite gray tones.

Drawing2018.161.1

A Stand of Trees

Pierre-Henri de Valenciennes

1797/1798 · black chalk on laid paper, laid down on old album sheet

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The image shows a landscape sketch from an aerial perspective. In the lower half, there are dense dark brushstrokes resembling foliage. The horizon is not clearly defined, with a focus on the texture and forms within the brushwork. The technique features loose strokes with an ink wash effect. The color palette is monochromatic with shades of gray and black. In the upper right corner, there are faint penciled sketches of trees or shrubs.

Drawing1995.52.184.a

A Stand of Trees [recto]

John Varley

Date not recorded · brush and brown-gray wash with graphite on laid paper

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The image features an elderly man standing barefoot with a bent posture, holding a book close to his chest. He has a broad face, pronounced cheekbones, furrowed brows, curly hair, and a beard. He wears a tunic and stands on a square block with scattered stones around. The top right corner is marked "1514" and contains initials.

Drawing1998.94.1

A Standing Apostle Holding a Book

Hans Süss von Kulmbach

c. 1510 or before · pen and black ink on laid paper, lightly washed pink

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The image shows a full-body drawing of a person standing upright, facing slightly toward the viewer's right. The individual has curly hair and a beard, looking directly forward. They are dressed in a long, flowing robe that reaches the floor, with their hands clasped together at waist level under the garment. The clothing style suggests a historical or classical context. There are no visible accessories or objects held. The background is plain, and the drawing is in monochrome sepia tone, signed "Del Cigoli" at the bottom.

Drawing2018.26.7

A Standing Bearded Man

Sigismondo Coccapani

1610/1630 · red chalk with red wash on laid paper, laid down on an old album sheet

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The image shows a person standing confidently with a slight lean to the right. The person has delicate features, an elongated face, well-defined cheekbones, and a pointed chin. They wear a tall hat with a wide brim and feather-like embellishments. The person's hair is neatly tucked under the hat. Their outfit includes a detailed top with puffed sleeves, closed by buttons, and a pleated skirt with decorated edges. The individual's leggings are fitted and slightly wrinkled at the knees. Fabric hangs around their left wrist with scalloped edges. The background is neutral without distinct objects.

Drawing2016.101.1

A Standing Courtier

South German 15th Century

c. 1440 · pen and black ink with gray wash on laid paper

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Drawing2007.111.6

A Standing Lady in a Day Dress

Daniel Nikolaus Chodowiecki

1775/1780 · red chalk on laid paper

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The image shows a drawing of a person standing in a three-quarter turn, with their head slightly turned to the left. The person has medium-length hair and is wearing a long, flowing cloak and boots. They are holding part of the cloak close to their chest with their right hand. The background is plain with a lightly textured surface.

Drawing2018.26.6

A Standing Male Figure, Facing Left

Ludovico Cardi called Cigoli

1590s · red chalk on laid paper

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The image shows a sketch of a full-body male figure in a dynamic pose with the upper body turned to the left. The facial features are idealized with a focused expression, and the hair is in loose curls. The figure appears unclothed against a plain background, framed by a beige border. Text below the sketch identifies the artist as Raffaello Sanzio, with the years 1483-1520 displayed. No visible jewelry or objects are present.

Drawing2009.70.195

A Standing Male Nude

Circle of Raphael

Date not recorded · pen and brown ink on laid paper

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Drawing2015.56.2

A Standing Male Nude

Pierre Puvis de Chavannes

c. 1879 · black chalk with stumping on tracing paper, squared for transfer

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