National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

This is a painting of two decorative dogs with barrels around their necks. In the image, two identical dog figurines stand apart on a plain background. These dogs are depicted with deep brown hues with patches of green and gold highlights, giving a metal-like appearance. Mounted on their backs are silver-toned barrels. The craftsmanship emphasizes the intricate details of the dog's fur texture and dynamic stance.

Index of American Design1943.8.8450

"I Hear a Call" Bank

William O. Fletcher

c. 1938 · watercolor, gouache, pen and ink, and graphite on paper

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The sculpture depicts a person's bust with facial features including expressive eyes, a defined nose, and prominent lips painted red. The hair is styled upwards and has earthy brown hues with a deep blue headwrap. The figure wears two rows of beads around the neck: one red and one blue. A tattoo-like swirl is visible on the upper chest. The material appears to be wood with visible grains and a rough, unfinished base. Signs of aging such as cracks and patina give it a weathered appearance.

Index of American Design1943.8.9888

"Indian Princess" Figurehead

Mary E. Humes

c. 1938 · watercolor, colored pencil, and graphite on paper

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The image shows four figures mainly depicted from the waist up. The central figure holds a large, round-bottomed flask, looking slightly upward. To their left, another figure holds a candle on a candlestick, facing the flask. On the right, a person with short hair tied back holds another candle. Below them, another figure manipulates the base of a candle, with a dog looking up next to them. The setting is an interior with dark shading, suggesting a dim atmosphere.

Drawing1984.3.13

"It is good candles which light the way"

Jacob Jordaens

1640s · pen and ink with brown wash and white heightening over black and red chalk on laid paper

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The painting depicts a rural landscape with a high horizon line. The scene includes a split between a lush green pasture and a dark sky with heavy clouds. A wooden fence separates the pastures from a line of trees. In the foreground, a farmer in blue clothes leads oxen pulling a hay cart, while others load hay onto a cart. Two more farmers work on the right side. The brushwork is even and smooth, with clear outlines. The color palette includes earthy greens, blues, and browns, with red accents on the cart wheels. The sky shows dark clouds and streaks of light through blue sky.

Index of American Design1943.8.9529

"It Will Soon be Here"

John Koehl, after Olof Krans

c. 1939 · oil on board

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Print1943.3.3839

"J'ose pas encore aller le décrocher...ça lui fera trop de peine." ("I don't dare take them down...it would hurt him too much.")

Jean-Louis Forain

c. 1892 · lithograph on wove Arches vellum paper

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The image shows a man seated on a piano bench next to a grand piano. He is wearing a dark suit with a bow tie, and his hands are positioned on the bench and knee. His face is neutral with short hair. A plush armchair is nearby, along with a decorative curtain and artwork on the walls.

Photograph2023.39.120

"Jack Johnson, Champion of the World"

E.W. Kelley

1910 · stereoscopic gelatin silver print

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The image shows a detailed watering can, predominantly in shades of gray. The watering can is slightly off-center, facing left with its spout pointing down and the lid is visible on top.

Index of American Design1943.8.12475

"Jacking" Torch

Amelia Tuccio

c. 1941 · graphite on paperboard

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Index of American Design1947.1.27

"Japan" Lacquer Dipping Vat

Perkins Harnly

1946 · watercolor, gouache, pen and ink, and graphite on paper

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The image shows a metallic bit used as horse tack against a plain backdrop. The color palette includes warm browns with subtle shading on a cream-colored background. The bit is positioned horizontally in the center, showcasing its loops and elongated central piece. The artist's name and date "HAROLD E. BALLIN 1940" are inscribed near the bottom right corner.

Index of American Design1943.8.9003

"Jay Eye See" Driving Bit

Harold Ballerd

1940 · watercolor and graphite on paper

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The image shows an ornate mirror with a circular frame, flanked by two small figurines of women in period dresses. The color palette includes earthy tones of browns, blacks, metallic golds, and muted blue. The circular frame is centrally positioned, with the figures standing symmetrically on each side. Below the mirror, there is a decorative element resembling palm fronds emerging from a support base containing an American flag, a tapered obelisk, and a green figure or emblem, creating a vertical composition.

Index of American Design1943.8.17140

"Jenny Lind" Mirror

Regina Henderer

c. 1939 · watercolor, graphite, and gouache on paperboard

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The image shows four young children. The central child standing at the back wears a light-colored shirt. Flanking the central child are two children sitting on a cushioned seat draped with fringed fabric. Both have short, textured hair and wear patterned dresses, stockings, and laced boots. The child on the right rests their arm on the seat, with legs crossed and hands on their knees. The child seated in the front wears a darker dress with lace detailing and has curled hair styled into a top bun with ribbons or a bow. This child wears bracelets and looks slightly away from the camera. The children are surrounded by ornately patterned fabric covering the furniture and a textured backdrop, likely in a photography studio.

Photograph2023.39.85

"Joella's Group"

Martin & Haller

c. 1895 · albumen silver print (cabinet card)

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Photograph2023.39.119

"Johnson-Ketchel Contest, San Francisco"

Percy Dana

1909 · gelatin silver print (real photo postcard)

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Print1975.112.4

"Joris Ysegrim" and "Quastighe Jopje"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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The image depicts a group of nine men and women posing for a formal photograph. Some individuals are seated, while others stand behind. The men have short, neatly styled hair and wear suits with bow ties or neckties. The women have their hair pulled back or styled elegantly and wear long dresses with high necklines and long sleeves. One woman seated holds a circular object in her lap. The background shows a plain wall and a draped curtain, creating a studio setting. Each person has a calm expression. The photograph is mounted on orange card stock.

Photograph2023.39.180

"Jubilee Singers, Fisk University, Nashville, Tennessee"

James Wallace Black

c. 1875 · stereoscopic albumen silver prints

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Index of American Design1943.8.15674

"Juggling" Marionette

James McLellan

c. 1936 · watercolor, graphite, and gouache on paperboard

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Index of American Design1943.8.16850

"Justice"

John W. Kelleher

c. 1939 · watercolor, gouache, and graphite on paperboard

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Print1975.112.9

"Kees Geldt-sack" and "Kaarighe Truy"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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Print1975.112.27

"Keesje Licht-hart" and "Verblinde Swaen"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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The image shows a puppet with exaggerated facial features, thick black hair, and a cone-shaped hat with two vertical rods. It wears a red and white garment with a red band around the neck. There is a metallic tool or accessory at the back of its neck. The background is plain and neutral. In the bottom right corner, the name "Elmer Wiese" is written.

Index of American Design1943.8.15649

"King Saul" Marionette

Elmer Weise

c. 1937 · watercolor, graphite, pen and ink, and gouache on paperboard

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The image shows a single wooden chair with a green frame and a brown woven seat. The color palette includes green, brown, and a light beige background. The chair is positioned centrally within the frame, viewed slightly from the side, showing both the seat and the backrest with three horizontal slats.

Index of American Design1943.8.4445

"Ladder Back" Chair - Called "Jolting Chair"

Magnus S. Fossum

c. 1936 · watercolor, colored pencil, gouache, and graphite on paperboard

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The image depicts two men standing side by side from the waist up in a frontal position. The man on the left has a wide nose, prominent cheeks, and slicked-back hair. He is dressed in a dark jacket, white shirt, and a bow tie, with a light-colored vest. The man on the right also has a broad nose, a pronounced grin, and wavy hair. He is wearing a dark jacket and white shirt without a tie or vest. Both men have slightly bent arms, with one holding an object. The background features a simple hatched pattern.

Print1994.60.19

"Les Maris me font toujours rire" (Husbands Always Make Me Laugh)

Paul Gavarni

1852/1853 · lithograph in black on wove paper

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This is a drawing of a scene with multiple figures. In the center, a person is reclining with a gun nearby. Another figure is standing next to them, gesturing dramatically. Two other figures are in the background, one raising a weapon and the other moving to the left. The setting includes stone surfaces and fog or smoke in the background.

Print2004.128.5

"Les Scélérats!..."

Hippolyte Bellangé

1830 · lithograph

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The image shows a green glass bottle with an embossed design of an eagle and the word "LIBERTY" above it. The bottle is against a light-colored background, with the neck and cap facing upward.

Index of American Design1943.8.11100

"Liberty" Bottle

Maud M. Holme

1935/1942 · watercolor, graphite, and pen and ink on paper

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The image shows a green glass bottle with embossed text that reads "WILLINGTON GLASS CO. WEST WILLINGTON CONN." The bottle is upright and slightly tilted, set against a light background.

Index of American Design1943.8.10577

"Liberty" Glass Bottle

Maud M. Holme

c. 1939 · watercolor and graphite on paper

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