National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image shows a sketch of a person's bust from head to shoulders, in a reclining pose. The person has their head tilted to one side and an arm near their face, partially covering it. The facial features are softly drawn with closed eyes and slightly parted lips. The hair is long and flowing. The person is wearing a loosely sketched garment. The background is plain with simple sketch lines.

Print1950.16.253

"Linger, Longer, Loo"

Henri de Toulouse-Lautrec

1898 · lithograph in black and beige

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The sculpture depicts a young girl with long hair in two different scales. The larger girl is in the foreground, with her head slightly tilted and arms crossed over her chest. She wears a light blue dress with gold cuffs, dark stockings, and shoes. The smaller version is in the background, facing away, with hands behind her back, dressed similarly. Both figures are portrayed in a quaint and slightly archaic style.

Index of American Design1943.8.10149

"Little Fanny" Carved Figure

Stanley Mazur

c. 1938 · watercolor, graphite, and colored pencil on paper

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There is a large intricately carved object with floral and wave-like patterns in the center of the image against a light beige background. The color palette includes shades of grey, blue, and green on the object. The carving is positioned horizontally across the image, slightly off-center to the right, with some ornamental elements stretching upward and two circular elements extending to the right edge of the image.

Index of American Design1943.8.14829

"Loose Jawed" Bit

Eva Fox and Harry Mann Waddell

c. 1936 · watercolor, pen and ink, and gouache on paper

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The image shows two wooden figures using a two-man saw on a log. The figures are designed in a mechanical style. The color palette is mainly brown and beige. The figures are facing each other, positioned in the center of the image, with the log beneath them. The saw is horizontal, with a central pivot point between the figures.

Index of American Design1943.8.16820

"Lumbering"

American 20th Century

1935/1942 · watercolor and graphite on paper

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The image shows two head-and-shoulders portraits of individuals facing forward, each enclosed within an oval frame. On the left is an older woman with pronounced facial lines, a long nose, and deep-set eyes. Her hair is mostly concealed beneath a hood that flows around her face and neck. She is wearing a cloak with visible texture over her shoulders. On the right is an older man with distinct cheekbones, a strong jawline, and a direct gaze. He has short, wavy hair partially covered by a round, textured cap. His clothing consists of a cloak that drapes over his shoulders. The background consists of parallel horizontal lines that fill the area outside the oval frames, and there is a vertical line dividing the two portraits.

Print1975.112.13

"Maey Veeghde-pot" and "Pannetje Vet"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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Print1975.112.5

"Mondighe Melis" and "Smeerighe Els"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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The image shows a doll standing upright facing forward. It has white curly hair under a brown hat with a wide brim. The doll wears a floral-patterned dress with colors including green, pink, and cream, a blue skirt with an orange layer, and a red cape. It wears red pointed shoes and holds a black cane. The background is plain off-white with the signature "Rose Campbell Gerke" in the bottom right corner.

Index of American Design1943.8.15677

"Mother Goose" marionette

Rose Campbell-Gerke

c. 1939 · watercolor, graphite, and colored pencil on paperboard

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Photograph2019.170.22

"Mr. & Mrs..."

William J. Rensler

1930s · gelatin silver print

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The image shows a stereoscopic view from the summit of Mount Washington. The viewer's perspective is slightly elevated, looking out over a rugged landscape of rocks and wooden planks that lead the eye towards a series of mountain ranges extending into the distance. The horizon sits fairly high in the image, marked by a line where the peaks meet the overcast sky. The style of the photograph is straightforward, with a soft focus on the distant mountains, giving a hazy effect typical of early photographic techniques. The overall color palette is monochromatic, with shades of gray and sepia giving the scene a muted and timeless quality. The clouds above add texture to the sky, providing contrast to the solid, dark forms of the mountains below.

Photograph2012.114.6

"Mt. Kearsarge and Double Head, from Mt. Washington"

American 19th Century

c. 1860 · stereoscopic albumen silver prints

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The image is of a person standing and facing slightly to the left. They have dark, wavy hair styled with a small floral headpiece. They wear a long, intricately decorated gown with beads and embellishments, made of a light, translucent fabric with a draped design, a fitted bodice, and long sleeves. They also wear a long lace veil extending down to the floor. The background is plain and off-white.

Index of American Design1943.8.15657

"Negro Bride" Puppet

Verna Tallman

c. 1937 · watercolor, graphite, and gouache on paper

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The image shows several abstract lines and shapes on the right side, including two angular, elongated triangles, parallel jagged lines resembling waves, and narrow, slanted lines. On the left side, there is handwritten text with numbers followed by words.

Drawing1991.217.35.a

"Neige" (Snow); Itinerary [recto]

Paul Gauguin

1884-1888 · page of notes; graphite on wove paper

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This is a painting of an allegorical scene in the style of a Renaissance artist. It is rich in detail, with figures representing various virtues and vices. The scene is divided into sections, with each figure holding a banner inscribed with Latin text. On the left side is a crucifixion scene with figures labeled as virtues such as "Oblivio," "Charitas," and "Vindicta." The right side features figures symbolizing vices or traits like “Crudelitas,” “Voluptas,” and “Cupiditas.” In the center, there is an enthroned figure with a banner reading "Principis Clementis," possibly symbolizing clemency or justice. A flaming central figure holds a shield-like item. The overall composition is reminiscent of manuscript illustrations portraying moral lessons or religious stories through allegorical figures.

Drawing2006.11.39

"Obliterate the Trace of the Pot in the Ashes" [fol. 32 verso / 33 recto]

French early 16th Century

c. 1512/1515 · pen and brown ink with watercolor, heightened with gold on laid paper

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The image shows an elderly man sitting in an armchair near a window. He is holding a newspaper, looking out of the window. The man has white hair, a beard, and is wearing a robe. There is a pom-pom on the arm of the chair. Outside the window, there is a silhouette of a person and a fence.

Drawing1995.52.89

"Oh, Tax 'em by all means!"

Charles Samuel Keene

1888 · pen and brown ink and brown and gray washes with white gouache over graphite on wove paper

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The image shows a rural scene with individuals gathered near simple buildings with thatched roofs. A group of people, both adults and children, are around an ox-drawn cart. The horizon is low in the picture, intersected by a row of buildings. In the background, leafless trees stretch toward the sky. The color palette is primarily sepia-toned.

Photograph2023.39.197

"Old South Carolina Plantation"

George N. Barnard

c. 1869 · stereoscopic albumen silver print

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Print1975.112.25

"Oprechte Lammert" and "Deughdighe Geertruyd"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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This painting shows a group of people standing together outdoors. In the center of the group is a person with red-and-white body paint creating intricate designs on their otherwise nude body. The rest of the people form a line behind them, and these people are dressed in tan garments including shawls and tunics. Some of them have red, white, and black feathers in their dark hair. A child on the far right holds a pot on their head, while another person on the left carries a long spear and what looks like a fan of feathers. Many of the people wear decorative necklaces and earrings. The ground is grassy, and surrounding the feet of the central person are several items such as shoes, a shield-like object, a quiver, and a curved object. The background shows a grassy plain meeting a pale-blue sky. Surrounding the central painting is a border of white paper, and around that is a pale-green frame.

Painting1965.16.202

"Paint Me" - Apachee

George Catlin

1855/1869 · oil on card mounted on paperboard

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This is a photograph of a decorative ceramic bowl. The bowl features a deep blue floral pattern on a yellow background. In the center, there is a large blue flower with intricate petals and a dotted central disc. Surrounding the central motif are vines with leaves and smaller blue blossoms. The contrast between the blue and yellow, along with the elegant curves of the floral designs, creates a visually appealing composition. The bowl has a smooth, glossy surface that highlights its craftsmanship and vibrant colors.

Decorative Art1972.43.44

"Palace" Bowl

Chinese Qing Dynasty

Yongzheng period, 1723/1735 · porcelain with underglaze blue and overglaze yellow enamel decoration

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The sculpture is a ceramic bowl with Chinese characters written in blue on a circular base. The outer surface of the bowl is bright yellow with intricate blue floral and vine motifs. The bowl appears upside down in the image. The bowl is made from ceramic material with a glossy finish, highlighting the vibrant colors and detailed artwork. The color combination is striking and traditional.

Decorative Art1972.43.45

"Palace" Bowl

Chinese Qing Dynasty

Yongzheng period, 1723/1735 · porcelain with underglaze blue and overglaze yellow enamel decoration

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The image shows a group of six men positioned on rocky ground. Five men are standing, and one man is seated. The man on the far left is standing with a hat on his head, and three mustaches, in a military uniform decorated with buttons. His facial expression is neutral as he looks into the distance. Next to him, a man stands with his legs crossed, with one hand on his hip and the other holding a wide-brimmed hat. He has a mustache and a pointed beard. The two men next to him stand slightly behind a large rock, both wearing military uniforms and hats, with facial hair visible. At their feet, another man is seated on the ground, wearing a uniform with shoulder boards and a few insignias, and his hat is lying next to him. He has medium-length hair and a smooth face, looking slightly to the side. The last man on the right is crouched down, wearing a similar uniform and a military cap, with a full beard and mustache, holding something in his hand. An empty basket and loose fabric are on the ground among the group. The background consists of large, rough rock formations, and some sparse trees are visible.

Photograph2019.12.13

"Part of General Geary's Staff. Taken on Lookout Mountain Summit on Christmas Day."

American 19th Century

1863 · albumen silver print (carte-de-visite)

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Print1975.112.12

"Pater Muylaert" and "Mater Bille-bloots"

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder

c. 1564/1565 · etching

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The image depicts a woman cutting fabric at a table while a young girl sits on a cushion on the floor beside her. The woman has her hair styled in a bun and wears a dark long-sleeved dress with an apron. The young girl wears a dress with striped sleeves under a frilly apron and has curly hair. Various pieces of fabric are scattered on the floor around them. The background consists of a plain, neutral wall and a patterned carpet underfoot.

Photograph2023.146.68

"Pearl Keller, 18 Months Old, and Ada Sylvester"

Gottlieb Keller

c. 1893 · collodion print (cabinet card)

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The image shows an elderly woman captured from the waist up, seated in a woven chair. She is positioned facing slightly to the left, with her hands clasped together on her lap. She has a gentle expression, with visible wrinkles and fine features. Her hair is covered by a head scarf or bonnet. Her attire consists of a buttoned dress with a capelet or shawl draped over her shoulders, and she is holding a white handkerchief. The background is plain and neutral, creating an intentional focus on her figure. The image is rendered in a sepia tone.

Photograph2023.39.199

"Pendar, 115 Years Old"

Buell & Seaver

March 1867 · stereoscopic albumen silver prints

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Photograph2008.65.16

"Philemon"

Katherine Sheward Stanbery

1900 · platinum print

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The image shows a large straw hat decorated with ribbons and artificial fruit. The hat is made from a light-colored woven material, with ribbons featuring a brown floral pattern on a pale blue background and fringed ends. The hat is slightly tilted, with the crown leaning left and the wide brim curving around it. Artificial fruit, made of red and yellow pieces, is placed on the right side near the ribbon base for a colorful contrast.

Index of American Design1943.8.2835

"Poke" Bonnet

Irene Lawson

c. 1935/1942 · watercolor and graphite on paperboard

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