National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image depicts a natural scene with a wide perspective of the landscape. A river winds through the middle ground, flanked by trees. Fine engravings and cross-hatched lines create texture and depth. The color palette is monochromatic, ranging from black to white to convey light and shadow.

Print2005.145.15

A Sunset in Ireland

Francis Seymour Haden

1863 · etching and drypoint on wove paper

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The image shows two individuals outdoors. One person is standing with a hand on their hip and holding a long-stemmed pipe to their mouth. They wear a large hat with a ribbon and feathers, an elaborate coat, frilled shirt, striped trousers, and shoes. The other person is pouring liquid into a glass on a tray, barefoot, wearing a fabric around their waist, and with a simple hairstyle. In the background, there is a house and foliage, indicating a rural or estate setting.

Print1943.3.1834

A Surinam Planter in his Morning Dress

William Blake after John Gabriel Stedman

1793 · engraving

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The image is a black and white etching of a pastoral scene viewed from a slightly elevated point. The horizon is positioned lower in the composition, allowing for a vast expanse of sky to dominate the image. Two figures are depicted working on an open field. In the distance, a large windmill stands prominently on the horizon to the right, its sails juxtaposing against the sky, while another windmill is visible even further back on the right edge. The brushstrokes in the sky are smooth and sweeping, creating billowing clouds. The overall color palette consists of grayscale tones, emphasizing contrasts and textures, giving the scene a somber yet timeless quality.

Print1943.3.7647

A Sussex Down

Frank Short, after John Constable

1898 · mezzotint in black on wove paper

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Print2014.140.1

A Swiss Cottage

Richenda Cunningham

c.1825 · lithograph on chine colle

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The image shows a person in elaborate clothing holding a spear. They have one hand on their hip, wearing a hat with a feather, and have a serious expression. The background includes architectural elements, decorations, hunting dogs, and a deer in a forest landscape.

Drawing2009.38.2.a

A Swiss Guard before an Ornamental Arch (recto)

Abraham Bickhart

1568 · pen and black ink with gray wash on red prepared laid paper, heightened with white gouache

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The image presents a landscape view captured in an etching style. The horizon is high in the image, with a line of trees in the distance marking the edge of the riverbank. A river winds through the scene, bordered by rocks and trees with detailed foliage, prominent on the right side. The color palette is monochromatic using shades of black on a white background.

Print2020.149.7

A t Pontchéry, Isère (A Pontcheruy , Isère, vue d’une chute d’eau)

Louis Hector François Allemand

1857 · etching and drypoint on tan laid paper

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This is a drawing of a braided motif with decorative elements. The artwork features a loose braid intertwined with an ornamental tassel or knot design. The drawing is rendered in soft graphite, with touches of yellow and hints of pink for shading. The lines are fluid and sketchy, capturing the curves and movement of the braid, and the decorative segment adds a textural contrast with its pattern of dots and crosshatching. The composition focuses on the interplay between curves and textures.

Drawing1995.52.207

A Tassel

Sir David Wilkie

Date not recorded · black, red, and yellow chalks heightened with white on wove paper

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The image shows a waterside settlement with a body of water, boats, small cottages, people, a horse-drawn cart, and a sky with clouds. The sketch is executed in pencil with a muted color palette dominated by greys and browns, emphasizing subtle details through fine lines and textures.

Drawing2022.40.60

A Tavern by a River

Jan van Goyen

1640 · black chalk with gray wash on laid paper

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This is a drawing of an outdoor beer garden scene. The scene shows a group of individuals seated at long wooden tables beneath tall trees. The trees cast dappled shadows over the scene. Many figures are clustered together in conversation, drinks in hand. In the background, there is a building facade with small windows. The drawing conveys a sense of camaraderie and communal enjoyment of a shared outdoor space.

Print1992.47.1

A Tavern Garden in Rosenheim

Max Liebermann

1895 · etching on wove paper

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This is a drawing of an outdoor gathering under trees. The scene shows numerous people seated at long tables. Towering trees provide shade, with sunlight creating patterns on the ground and foliage. A building is visible in the background, with open windows. The drawing is done in a monochromatic palette with a focus on contrast and shading, accentuating the texture of the trees and the gathering. The style conveys a lively yet tranquil atmosphere, typical of outdoor social gatherings.

Print2012.92.357

A Tavern Garden in Rosenheim

Max Liebermann

1895 · etching on wove cream paper

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The image shows a view from below of ancient ruins, with three tall columns supporting a partial structure. The horizon is visible with trees and bushes meeting the sky. The sun casts shadows on the columns and steps. A figure in traditional attire sits on the steps. The brushstrokes are detailed, depicting the stone and foliage textures. The color palette is warm with browns and greens, contrasting with a soft blue sky. The scene conveys a serene atmosphere with a harmonious balance between natural and man-made elements.

Drawing2015.73.1

A Temple Ruin in Agrigento

Carl Wilhelm Götzloff

c. 1825 · watercolor with gouache on wove paper

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The image shows a view from a shaded veranda or pergola looking outward through a series of columns. The horizon is obscured by dense foliage with a central palm tree dominating the scene. Architectural elements indicate a building with a dome in the distance. The artwork uses soft, smooth strokes in a monochromatic grey-blue palette. Closest to us, the columns frame the scene, leading the eye towards the blending of structural and natural elements. The overall effect is serene, with blue tones and careful linework creating a harmonious balance.

Drawing1999.17.1.a

A Terrace and Garden on Capri [recto]

François-Édouard Bertin

c. 1822 or later · charcoal and white chalk on blue paper

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The image shows a pencil sketch of a landscape. The horizon is high on the image, with trees dominating the center. Closest to us are bushes and shrubs, leading to a stone wall. In the background are more trees surrounding a rectangular building. The sketch is monochrome, emphasizing the natural scenery.

Drawing2001.49.4.a

A Terraced Garden by a Villa

Friedrich Salathé

1815/21 · graphite on wove paper

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This is a drawing of several figures in an ornate setting. The drawing is made with intricate line work and shading in sepia tones. The figures are surrounded by clouds. In the upper section, two central figures are elevated among the clouds. One figure holds a large cross towards a light source from above. Below, a group of three individuals appear to be in discussion, wearing robes and tall hats. The borders of the drawing contain cherubic figures and baroque embellishments. Blank spaces within the borders suggest areas for inscriptions or additional details. The composition blends allegorical and architectural elements, embodying artistry and symbolism.

Drawing2007.111.72

A Thesis Design with Doctors of the Church

Gottfried Eichler the Younger

1747 · pen and brown ink with brown and gray wash and traces of graphite on laid paper

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The image shows a forest scene with three figures walking along a path. The perspective is slightly elevated, allowing a view of gnarled trees dominating the scene. The horizon is obscured by dense tree cover, creating a feeling of enclosure. The etching style uses fine brushstrokes and cross-hatching to create textures in the trees and undergrowth. The monochrome color palette adds to the detailed texture in black and white, giving the impression of a shadow-filled forest. Three figures in traditional attire walk along the path, leading the viewer's eye towards clustered trees in the distance.

Print1973.15.151

A Thick Forest

Allart van Everdingen

probably c. 1645/1656 · etching

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The etching shows a wooded area with a large, old tree dominating the right side. Three figures are walking along a path to the left, carrying items. The image is detailed, with fine cross-hatching creating texture. The color palette is monochromatic, using black ink on paper.

Print1973.15.152

A Thick Forest

Allart van Everdingen

probably c. 1645/1656 · etching with engraving

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The image shows a close-up view of lush vegetation with intricate details. A gnarled tree with interwoven branches and cascading leaves dominates the left side of the scene. The textured bark and layered foliage are depicted with fine brushstrokes. In the middle, the horizon is indistinct behind dense vegetation. The right side features large leaves, grasses, and flowering plants with varied patterns and shading. The monochromatic palette uses blacks, whites, and greys to highlight details and textures, creating a rich natural scene.

Print2012.92.329

A Thicket; a Gnarled Willow Tree at Left, a Thicket of Vegetation at Right

Carl Wilhelm Kolbe

1820/1835 · etching on laid paper

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This is a painting of a tiger in a natural setting. The tiger is lying down on foliage and rocks, displaying its distinct striped fur pattern. Its gaze is calm and direct. The background is dark, emphasizing the tiger and its surroundings, which include leaves and rocks.

Print2001.96.2

A Tigress

John Dixon after George Stubbs

1772 · mezzotint on laid paper

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The image shows two figures: an adult seated and a child standing beside them. The adult is draped in a cloak covering their head and shoulders. Their eyes are closed, and their expression appears gentle. The child is wearing a one-piece outfit and is leaning slightly forward. Next to the child is a small animal. Objects and containers are to the left side of the adult. The setting has simple furnishings with wooden surfaces and shadowed walls. The image has a vintage appearance with sketch-like qualities in monochromatic tones.

Drawing1991.217.15

A Tired Woman with Two Children

Jean-Baptiste Greuze

1750/1761 · pen and brown ink with brown wash over black chalk on laid paper; laid down

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The image features a natural landscape with trees, a path, two figures resting, distant hills, and a village or castle on a rise. The trees are depicted with detailed strokes, contrasting with the smoother sky with clouds. The color palette is mainly monochrome, enhancing the landscape's features.

Portfolio2003.86.45

A Tivoli

Johann Christian Reinhart

1794 · etching on laid paper

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Sculpture1957.14.90

A Toad

Paduan 16th Century

early 16th century · bronze//Dark brown patina

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The sculpture is of a frog in a resting position. It is a deep bronze color, with a patinated finish, which adds depth and texture. The sculpture is crafted from a solid metal material, likely bronze. It is small in scale for a frog and includes details such as textured skin, webbed toes, and a serene expression.

Sculpture1957.14.93

A Toad

Paduan 16th Century

16th century · bronze

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The sculpture depicts a toad lying on its back with a smaller toad on top, both made of bronze. The sculpture has a dark metallic hue with reflective surfaces showcasing the texture. The toads' skin appears bumpy, typical of the amphibians. The sculpture seems small and detailed, meant for close viewing. The toads' positioning suggests a lifelike moment.

Sculpture1957.14.88

A Toad with a Toad

Paduan 16th Century

early 16th century · bronze//Medium brown patina

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The image displays an etched portrait of an older man from the waist up. He is standing with his body slightly turned to the side, but his face is oriented towards the viewer. The man has a thick beard and mustache, with neatly combed back hair. He is wearing a formal suit with a bow tie, detailed with fine lines. In his left hand, he holds a small glass. The background shows several other men dressed similarly in formal attire, slightly out of focus. The setting appears to be indoors, possibly within a formal venue or a private room with paneled walls.

Print1943.3.8851

A Toast II

Anders Zorn

1893 · etching on laid paper

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