National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image shows a drawing of a person in a dynamic stance. The figure is in mid-motion with one arm raised and bent at the elbow, and the other arm extended outward, holding a long staff or club across their chest. The facial features are exaggerated, with a large, curved nose, a pronounced chin, and focused eyes. The person's hair is styled under a head covering. The clothing is loosely draped, giving a sense of flowing movement, with sketchily drawn folds and contours. The figure is holding a staff-like object. The background is plain, with a light, textured paper, providing no additional scenery or context.

Drawing2009.70.17

A Tormentor With Tongs

Follower of Taddeo Zuccaro

Date not recorded · pen and brown ink with brown wash over black chalk on laid paper

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This drawing shows two male figures near a sign labeled "Frontiere de France." One figure holds a top hat in one hand, while the other clutches his bag. The second figure appears hunched over, gripping his bag tightly. The sketch style captures the folds of their garments and the texture of their bags.

Print1979.49.28

A tous les coeurs bien nés que la patrie est chère!!!

Honoré Daumier

1838 · lithograph on newsprint

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The image shows a sketch from an elevated point of view. Various elements suggest depth, including faint outlines of structures, a small human figure with a staff in the distance, and a prominent tree closest to the viewer. The artwork uses dynamic pencil strokes to depict foliage with varying textures and contrasts. The color palette is primarily gray, capturing forms and details in a natural setting. Details become lighter towards the sky, showcasing open spaces with minimal distant sketches.

Drawing1983.49.196

A Towering Tree with Travelers

Joseph-Marie Vien

1746/1749 · black chalk on laid paper

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The image shows an Italian village square with a central church building. The viewpoint is slightly elevated, offering a full view of the square and surrounding buildings. The church, with a tall bell tower, stands out against the sky. The painting appears to use precise and delicate brushstrokes, resembling an ink and wash technique. The color palette is muted, mostly in shades of grey and blue. A street curves in front of the church, lined with arcades on the left and houses on the right. In the background, trees suggest a rural setting beyond the village.

Drawing2004.151.2

A Town Center with a Church

Italian 18th Century

Date not recorded · pen and brown ink with gray wash on laid paper

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The image shows a landscape with mountains in the background. The brushstrokes are loose and capture the details of the trees and the building on the mountainside. The color palette is monochromatic, ranging from light gray to deep charcoal. A small figure is visible on a path.

Drawing2010.93.31

A Town on a Hilltop (Sanctuary of Lampedusa)

Edward Lear

1884/1885 · gray wash with touches of pen and black ink on card

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The image features three large black and white close-up photographs of plant structures. The color palette is grayscale, with varying shades of black, white, and gray. The first object at the top is an elongated structure with overlapping segments. The second object in the middle is a cone-like cluster of rounded units. The third object at the bottom of the image resembles a star-shaped open flower or seed pod, with elongated, narrow petals extending outward. The photograph has a border and is numbered 78 at the bottom right corner.

Print2006.133.34.78

a Tragopogon porrifolius; b Muscari racemosum; c Thujopsis dolabrata

Karl Blossfeldt

1928 · photogravure

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This is a drawing of a group of figures observing artwork in a studio setting. The image depicts several figures examining a large canvas. The figures are positioned closely together, and a palette sits on a small table. The drawing uses dynamic lines and shading to convey expression and movement. The background shows framed art on the walls and potentially a bust or sculpture.

Print1954.12.17

A travers les ateliers

Honoré Daumier

1862 · lithograph

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This is a photograph of an old leather-bound book cover. The cover is made of brown leather, showing signs of wear and aging, including discoloration and scuff marks. The design features a rectangular pattern embossed into the leather, with ornamental corner detailing. The spine of the book is visible on the left, showing bands and some deterioration. The overall texture and patina of the leather suggest historical value or significance.

Volume1985.61.652

A Treatise of Architecture with Remarks and Observations. By that Excellent Master thereof Sebastien Le Clerc. Translated by Mr. Chambers

Sébastien Le Clerc I (author)

published 1724 · bound volume with letterpress text and engravings

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The image shows a close-up view of a tree against a light background. The horizon is subtly indicated at the base of the tree where shadow meets paper. The drawing depicts a tree in a sketch style with feathery brushstrokes highlighting its branches and leaves. The color palette is monochromatic, with shades of black on cream-colored paper. The tree is the main focus, showcasing its dense canopy and trunk.

Drawing1995.52.82

A Tree in Full-Leaf

William Henry Hunt

Date not recorded · graphite on wove paper

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The image depicts a landscape with various trees and plants from a lower ground level perspective. The horizon is subtly suggested by distant spires or structures visible through the foliage. The brushstrokes vary in thickness and detail, with bold strokes for tree trunks and finer strokes for foliage and distant elements. The color palette is predominantly sepia and black, creating a pen and ink sketch effect. Large trees frame a pathway that leads the viewer's gaze deeper into the scene, with more trees and structures visible in the distance. The background fades into lighter shades, suggesting light filtering through a dense canopy.

Drawing2009.70.80

A Tree-lined Garden Path (Preliminary Sketch for "Sleeping Beauty and the Beast"?)

Robert Caney

1900? · pen and brown ink with brown wash and graphite on wove paper

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The sculpture depicts a small figure of a child seated with a posture suggesting relaxation or contemplation. The child appears to be holding an object that extends upwards near the head. The sculpture is made of metal with a golden hue, and some areas show wear with the underlying darker metal visible. It is mounted on a cylindrical base made of a polished stone material with a deep maroon color and white speckles throughout.

Sculpture1957.14.47

A Triton

Italian 16th Century

early 16th century · bronze//Medium brown bronze originally fully gilded (gilding much rubbed)

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The image depicts a man from the thighs up, in a dynamic pose with his body twisted to the side. His right arm is raised, bent at the elbow, with his hand near his mouth, and his left hand is raised above his head. The man's facial features are partially obscured by his hand, his eyes are directed upwards, and he has mid-length hair. He is not wearing any clothing, and his muscular torso is detailed. The background is a simple, textured surface.

Drawing2000.9.19

A Triton Blowing a Conch Shell

Jean-Baptiste Nattier

1724 · black chalk heightened with white chalk on gray-brown laid paper

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Sculpture1942.9.256

A Triumph

North Italian 16th Century

c. 1500 · bronze

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The sculpture depicts a scene with a figure seated on a raised platform beneath an ornate, triangular pediment. The central figure holds a staff and appears elevated in status. Two horses with riders are positioned on each side of the central figure. The scene is bordered by columns. The material of the sculpture seems to be a reddish-brown metal, possibly bronze or a similar metal alloy, giving it an aged appearance. The carving shows intricate details, focusing on the attire of the central figure and the adornments on the columns.

Sculpture1957.14.226

A Triumph

Caradosso Foppa

Date not recorded · bronze//Medium brown patina

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This is a photograph of an ancient coin. The coin features a relief design depicting a group of figures, including a central figure on horseback surrounded by others, some holding banners or weapons. Below this scene is a smaller frieze depicting additional figures and elements such as shields. The outer periphery of the coin is inscribed with the words "SENATS POPLIS." The craftsmanship indicates close attention to detail, common in ancient civilizations' numismatic art. The coin appears to be made from a copper alloy, giving it an aged appearance.

Sculpture1957.14.245

A Triumph

Mantuan 16th Century

first quarter 17th century · bronze//Medium brown patina

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The sculpture depicts several figures riding horses in a scene that appears to be either a procession or a battle. The riders show movement and action, with some wearing helmets. The material of the sculpture is bronze, giving it a brownish-golden hue. The relief is highly detailed, with distinct horses and riders against a backdrop of leafy branches. The artwork is rectangular in shape and appears to serve a historical or decorative purpose. Its compact size and attention to detail indicate it was designed for close viewing to appreciate the craftsmanship.

Sculpture1957.14.414

A Triumph

North Italian 15th or 16th Century

late 15th - early 16th century · bronze//Medium brown patina

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The sculpture depicts multiple figures in dynamic poses, with some on horseback and others standing beside them. The figures appear to wear armor and garments, holding staffs with mounted figures and banners at the top. The relief sculpture is rendered in bronze, giving it a brownish-golden appearance. The figures are crafted in a bas-relief style, allowing them to stand out from the background.

Sculpture1957.14.422

A Triumph

Mantuan 16th Century

early 16th century · bronze//Light brown patina

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This is a round medallion featuring many people carved in relief. At the center, two people ride on horseback, surrounded by a crowd of people in helmets holding long staff-like objects. The center portion is inscribed with the words "SENATS POPI." Surrounding this central image is a ring of other images going around the exterior of the medallion, including more people on horseback and animals such as dogs, deer, and larger bear-like creatures. The sculpture is crafted from a brown material with an aged, greenish-brown patina. Many of the details are obscured by discoloration. There is a small metal loop at the top.

Sculpture1942.9.176

A Triumph, with Hunting Scenes

Mantuan 16th Century

first quarter 16th century · bronze

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The sculpture is a circular relief depicting a scene with a horse pulling a chariot. The chariot has two figures, one at the front and one at the back. The horse is in motion, with its front legs raised. The material appears to be bronze, with areas showing patina or wear. There is an inscription "AGRIPP.PACI" beneath the chariot scene. The relief is smaller in scale and designed to be viewed up close to appreciate details.

Sculpture1992.55.5

A Triumph, with Venice Crowning Leonardo Loredano as Doge

Giovanni Guido Agrippa

1501 · cast bronze

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The image shows an architectural structure with arches, statues, and decorative horses. There are three barrel-vaulted arches with intricate moldings and statues of mythical figures. Above the arches is a cornice with three stylized spires adorned with relief carvings and medallions. At the top, there are three detailed statues of rearing horses above entrances. The drawing is rendered in precise linework, typical of neoclassical or Renaissance-inspired architectural studies.

Drawing2006.107.1

A Triumphal Arch with Caparisoned Horses and Ornamented Pinnacles

Jacques Androuet Ducerceau I

c. 1570 · pen and black ink with gray wash over traces of graphite on vellum

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This is a drawing of a classical scene in an ancient city. The drawing features architectural elements such as columns and statues. In the foreground, there are figures engaged in activity. The background shows a building with steps and columns, and tall structures that resemble columns with statues on top. The use of shading and line work conveys movement and activity.

Drawing1992.12.1

A Triumphal Procession in Ancient Rome

Gaetano Gandolfi

c. 1780 · pen and brown ink with brown wash over graphite and black chalk

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The image shows a circular medallion or coin with detailed engravings. The surface features a mythological scene with a winged horse, potentially Pegasus, being ridden by a human-like figure in a chariot-like contraption. The medallion is filled with intricate patterns, including a vertical staff or pole. The predominant color is gold-toned, suggesting a bronze or gold-colored material. The surface displays signs of aging and wear, indicating potential historical significance. Incomplete inscriptions along the circumference and two visible holes for mounting or wearing are also observed.

Sculpture1957.14.244

A Triumphant Warrior

Antico

Date not recorded · gilded bronze

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The image shows a collection of military armor and weaponry, including a helmet, shield, spears, and flags. The color palette is grayscale with blacks, whites, and various shades of gray. In the foreground, there is a detailed armor set. Spears and flags rise behind the helmet, and a large shield with intricate designs is in the lower right. A decorative drapery is in the center, with additional ornamental details like floral and animal motifs throughout.

Drawing1991.150.42

A Trophy of Arms

Jean Lepautre

Date not recorded · pen and black ink with gray wash on laid paper

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The image shows a portrait of a person from the waist up. The person is positioned with their body turned slightly to the left, raising their right arm slightly. The facial features are blurred, with the head adorned by a white turban wrapped around darker hair. The person is wearing an elaborate blue garment with red and gold details, including draped fabric and a decorative belt or sash encircling the waist. The background is a soft pastel landscape with patches of blue, pink, and brown, evoking a cloudy sky and a distant horizon.

Drawing1999.111.1

A Turk

Jules-Robert Auguste

1815/1817 · pastel on wove paper, mounted on board

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