National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

Print2014.107.3

A Young Woman with a Bow in Her Hair

Domenico Morelli

c. 1879 · etching and aquatint on laid paper

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The image is a pencil drawing of a woman. She is depicted showing her head and shoulders, slightly turned to her left. She has delicate facial features with large eyes, a straight nose, and closed lips. Her hair is styled in a high braid secured with a lace-adorned comb. She wears a dress with a high neckline and pleats, accented with lace trim. The background is plain and light in color.

Drawing2016.28.1

A Young Woman with an Elaborate Hairdo

Carl Barth

1823 · graphite with pen and black ink on wove paper

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Sculpture1957.14.170

A Youth

Italian 15th Century, after the Antique

15th century · bronze//Yellow-brown patina

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The image shows a sculpture of a human figure riding a bull. The figure is on top of the bull, holding onto its back with one hand and grasping a stick-like object with the other hand. Both the human figure and the bull are crafted in a raised relief style on a circular plaque. The sculpture appears to be made from a golden-colored material with a metallic sheen, likely bronze or a similar alloy. The details on the sculpture depict the muscular structure of both the man and the bull, with prominent horns on the bull's head. The human and bull are harmoniously proportioned to the circular frame, and the smooth background contrasts with the textured figures.

Sculpture1957.14.204

A Youth Riding on a Bull

Pseudo Melioli

Date not recorded · gilded bronze

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The image depicts three individuals standing against a natural backdrop. The person on the left is a female with long dark hair styled into two braids, wearing a light-colored dress with fringes and beaded necklaces, and is barefoot. The central figure is a male with long hair adorned with feathers, wearing a cloak with a red sunburst design, and jewelry around his neck. The male figure on the right is holding a spear in his right hand and a shield in his left, wearing animal-skin leggings with fringes and a belt, and is barefoot. The background shows green grass, rolling hills, soft blue mountains under a clear sky, framed by an oval border within a rectangular frame.

Painting1965.16.172

A Yuma Chief, His Daughter, and a Warrior

George Catlin

1855/1869 · oil on card mounted on paperboard

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This is a drawing of two figures in a minimalistic style. The drawing depicts one figure resting against another, who appears to be supporting them. The figure providing support is sketched with attention to the clothing details and a helmet. The gazes and interactions between the figures suggest a poignant and emotional dynamic. The artwork is composed with light and confident strokes, capturing movement and posture with simplicity. The negative space adds to the emotional resonance. Handwritten text below the figures provides narrative context. The artist has signed the work.

Drawing1943.3.4126.a-b

a) -Un farman? -non, c'est un boche. (recto); b) Sketch of Figure (verso)

Jean-Louis Forain

c. 1914/1919 · a) black crayon and brush and black ink on laid paper b) black crayon on laid paper

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The image shows two women in motion facing each other. The woman on the right stands upright, with long flowing hair and distinct facial features. She wears a flowing garment sketched in dark lines. The woman on the left is slightly bent, looking up at the other woman, partially obscured by a head covering. She also wears a flowing dress. The background includes simple outlines of buildings, rooftops and chimneys. The scene conveys a dynamic interaction between the two figures against a sparse backdrop.

Drawing1943.3.4109.a-b

a) After Douai (recto); b) Untitled (verso)

Jean-Louis Forain

probably 1918 · a) brush with brown and black ink and black crayon on laid paper b) black crayon on laid paper

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The image shows a figure standing on the right side. The horizon is a third from the top of the composition. Hills extend across the landscape. The brushstrokes suggest a sketch-like technique with swift lines. The color palette is monochrome with shades of gray, and subtle touches of red and orange. A person is depicted close by with sparse detail and rocks are scattered further away. Soft hills and a faint suggestion of a structure or more rocks are in the distance. The scene is simple, focusing on lines and minimal shading to suggest form and space.

Drawing1943.3.4115.a-b

a) Along the Marne (recto); b) Study for Along the Marne (verso)

Jean-Louis Forain

probably 1918 · a) black crayon with graphite and red and yellow crayon additions on wove paper b) black crayon on wove paper

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The painting depicts figures in a setting with rough brushstrokes and subdued colors. A cloaked figure is in the foreground, with other figures and architectural elements in the background. The style blends Impressionistic brushwork with realistic detail, reminiscent of Kathe Kollwitz's work.

Drawing1943.3.4015.a-b

a) Après Douai (After Douai) (recto); b) Figure (verso)

Jean-Louis Forain

probably 1918 · a) watercolor, brush and black ink, and black crayon on laid paper b) black crayon on laid paper

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The image shows a line of soldiers marching along a dirt road with a covered cart pulled by a horse nearby. The viewpoint appears to be at ground level, offering an eye-level perspective of the procession. The horizon is low, obscured by distant trees and the continuation of the road, which extends into the distance on the left side. The scene is depicted in a sketch-like style with fine lines and cross-hatching, resembling etching techniques. The color scheme is monochrome, utilizing shades of black and sepia to provide depth and texture for a historical appearance. Trees with sparse foliage line the path to the left, and additional trees and a hill-like structure are visible in the background.

Print2021.103.9.a-b

a) Artillery on Mission (recto); b) Artillery on Mission (verso) (Artiglieria da campagna)

Giovanni Fattori

1888/1903 · etching on laid paper (artist's proof impressions on recto and verso)

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This is a drawing of two figures interacting in a room. The figures are shown in a simple, sketch-like style with minimalistic lines and shading. One figure stands closer to the viewer with a slightly hunched posture, while the other figure is positioned further back. They are engaged in an activity that suggests examination or discussion, as one reaches towards or points at a surface or document. The background includes light lines indicating furniture or architectural elements, enhancing the indoor setting. The sketch captures a moment of interaction, focusing on gesture and posture.

Drawing1943.3.4083.a-b

a) At the Conference (recto); b) Reclining Figure (verso)

Jean-Louis Forain

c. 1919 · a) black crayon on laid paper b) black crayon on laid paper

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Drawing1943.3.9053.a-b

a) Au congres de la Paix (recto); b) Untitled (verso)

Jean-Louis Forain

c. 1919 · a) brush and brown ink over graphite on wove paper b) graphite on wove paper

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This is a drawing of two figures standing side by side. The drawing is done in a sketchy, expressive style using pencil or charcoal on a plain background. There are two main figures in the foreground. The figure on the left is leaning forward with arms behind them, while the figure on the right stands upright wearing a uniform and a hat. In the background, faint outlines of additional figures are visible, adding depth to the scene. The lines are simple and rough, creating a sense of immediacy and tension.

Drawing1943.3.4050.a-b

a) Au front de Vincennes, Bolo pacha (recto); b) Sketch for Au front de Vincennes, Bolo pacha (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush and black ink and black chalk on wove paper b) black chalk and graphite on wove paper

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The image shows a group of people in a theater box. In the center, there is an older man with a mustache, wearing a top hat and a formal suit with a bow tie. To his right, a woman with long, dark hair sits. Beside them, there is another male figure with a bald head. In the foreground, there are more seats, and in the background, there are darker shadowy figures. The scene has a sketch-like quality with soft, blurred details and a monochrome color palette.

Print1943.3.3840.a-b

a) Au théâtre (At the Theatre) (recto); (b) Untitled (verso)

Jean-Louis Forain

c. 1892 · a) lithograph on wove Arches vellum paper b) crayon in purple on wove Arches vellum paper

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The image shows an illustration of two individuals. On the left, one person is seated on a chair, leaning forward with their arms on their knees. The person is shirtless, with bold facial features and short, neat hair. They are fully drawn from the upper body down to the legs, with a pair of shoes near their feet. On the right, another individual stands in flowing robes, wearing a wide-brimmed cap that partially conceals their face. The standing figure holds a bundle in their arms. The background is simple, with faint vertical lines hinting at a wall or backdrop.

Drawing1943.3.4034.a-b

a) Bolo pacha (recto); Study for Bolo pacha (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush and black ink and black crayon, with corrections by the artist in white opaque watercolor, on wove paper b) black crayon on wove paper

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The image depicts three figures in full-body views, drawn in a sketch-like style. On the left, a figure is shown huddling with a smaller figure. The woman has her head covered with a hood and leans forward slightly. The figure standing on the right appears to be a man with a thick beard wearing a round helmet. Both figures wear heavy outerwear. The background is sparse with only pencil lines suggesting a rough ground. There are no visible objects or jewelry.

Drawing1943.3.4017.a-b

a) C'est trop dangereux pres de votre ambulance (recto); b) Study of Mother and Children (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush and black ink and black crayon with watercolor on wove paper b) black crayon on wove paper

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This is a drawing of an abstract scene with a central figure in a robe-like garment and loosely sketched background elements. The image is rendered with broad strokes and minimal details, hinting at architectural forms in the background. The central figure appears engaged in activity, suggested by their posture. The drawing uses a subdued color palette, implying movement and interaction within the composition.

Drawing1943.3.4020.a-b

a) C'etait notre maison (recto); b) Refugees in a Landscape (verso)

Jean-Louis Forain

c. 1914/1919 · a) black crayon, watercolor, and white opaque watercolor on wove paper b) brush and black ink and black crayon on wove paper

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This is a drawing of two figures sitting side by side, looking towards a distant structure resembling a church. The drawing is executed in sketchy pencil strokes, creating an impressionistic and gestural depiction. The figures are outlined in simple, flowing lines, with minimal detail. The distant structure features a cross on its roof and is surrounded by faint indications of trees or buildings on a flat landscape. The overall composition of the drawing directs the viewer's eye from the foreground figures to the background structure.

Drawing1943.3.3910.a-b

a) Chauffeur and Procession (recto); b) Two Sketches of Chauffeur and Passenger (verso)

Jean-Louis Forain

Date not recorded · a) black crayon on wove paper b) graphite on wove paper

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The image depicts two individuals, shown in a sketch style, covering roughly their upper and mid bodies. They are seated and positioned closely together, both appearing to lean slightly forward. The figure on the left has long hair and they appear to be looking downwards. The person on the right has long hair and their face turned slightly towards the viewer. Both individuals are cloaked in loosely fitting garments. There is an arm extending from each individual, with ambiguous strokes suggesting they may be interacting with something in front of them, though no distinct object is depicted. In the background, there is minimal detail, accentuating the line work of the figures against a plain, neutral backdrop.

Drawing1943.3.3898.a-b

a) Chimney Corner (recto); b) Two Figures (verso)

Jean-Louis Forain

Date not recorded · a) pen and brown ink and brown wash on wove Chapron Coquelin paper b) pen and brown ink on wove Chapron Coquelin paper

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This is a drawing depicting a military or combat scene. The image shows a fallen figure on the ground with a rifle nearby. The figure is dressed in a uniform with boots and a military helmet. Two other figures are standing to the right, one observing closely and the other appearing as a mere outline. The background features earthy tones, contributing to the desolate atmosphere of the scene. The sketch-like lines give the drawing an expressive appearance.

Drawing1943.3.4029.a-b

a) Dead German Soldier (recto); b) Head of a Soldier (verso)

Jean-Louis Forain

c. 1914/1919 · brush and black ink, black crayon, and watercolor on laid paper

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This is a drawing of a scene with a standing figure holding chains and a seated figure on a bench. The drawing is done in black and white, capturing a moment of interaction. The standing figure holds a set of chains, while the seated figure appears to be slumped or resting, with their head turned slightly away. The scene is rendered with delicate line work and shading, giving depth to the composition. The style of the drawing emphasizes gesture and posture.

Drawing1943.3.4090.a-b

a) Fetters (recto); b) Several Figures (verso)

Jean-Louis Forain

probably 1919 · a) brush and black ink and black crayon on wove paper b) graphite on wove paper

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Drawing1943.3.4085.a-b

a) Fetters (recto); b) Sketch for Fetters (verso)

Jean-Louis Forain

1919 · a) crayon and bursh and black ink on wove paper b) black crayon on wove paper

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The image shows three sketch figures. The first figure on the left is partially sketched, with a vague outline of the body and no distinct facial features. The other two figures, a man and a woman, are depicted standing next to each other. The man is upright with his hands in his coat pockets, wearing a long coat and a cap-like item with unclear facial details. The woman, standing next to him, is slightly bent at the waist, wearing a long flowy garment with indistinct facial features and long black hair framing her face. The background is abstract, with faint graphite outlines resembling buildings or structures against a plain beige surface.

Drawing1943.3.4087.a-b

a) German Soldiers and French Child (recto); b) Woman and Child (verso)

Jean-Louis Forain

c. 1914/1919 · a) black crayon and watercolor on wove paper b) black crayon on wove paper

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Print2022.186.1.a-b

a) Head of a Young Girl; b) Head of a Young Girl

Ernesto Bazzaro

before 1916 · a) etching and aquatint on wove paper; b) etching and aquatint retouched with pen and black ink on wove paper

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