National Gallery of Art · Open Data

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image shows two horses standing together in a landscape depicted in an etching style. The composition is viewed from a slightly elevated angle, with the horizon placed low. The details of the horses and surroundings are outlined with fine lines creating texture and depth. The color palette is predominantly gray and white, with hints of a distant landscape. The ground shows grass and uneven terrain, while the sky is subtly sketched with faint clouds.

Print2021.103.8.a-b

a) Horses at Rest (recto); b) Horses at Rest (verso) (Sosta di cavalli)

Giovanni Fattori

late 19th Century · etching on wove paper (working proof, counterproof on verso)

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The image is a pencil drawing depicting two full-length figures in an outdoor setting. The figures are positioned side by side, facing towards the left. Both figures are wearing hats, one with a broad brim and the other a rounded cap. They are wearing loose, coat-like clothing with minimal facial details. The first figure carries a crossbody bag. The ground and distant background are minimally sketched with rough strokes, suggesting a landscape with hills and two rectangular shapes that could represent buildings or signs.

Drawing1943.3.4120.a-b

a) In the Trenches (recto); b) Study for In the Trenches (verso)

Jean-Louis Forain

c. 1914/1919 · a) black crayon with black and grey wash on wove paper b) black crayon and brush and black ink on wove paper

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The drawing depicts two figures, both shown from head to toe. The figure on the left is in an animated position, with one arm extended outward and the other reaching towards the second figure. This person has distinct facial features, including a prominent nose and a closed mouth, and is wearing a brimmed cap. Their clothing appears to be a long coat or robe, drawn in lighter strokes of pencil. The second figure, on the right, stands facing the first figure with their hands near their sides. This person's facial features are less defined. They are wearing a similar style of clothing but with less detail. There is no jewelry visible on either figure, and no objects are being held. The background consists of light sketching, suggesting a rough, rocky terrain or rubble.

Drawing1943.3.4061.a-b

a) Kammerade. Porquoi cette froideur? (recto); b) Study for German Figure (verso)

Jean-Louis Forain

c. 1914/1919 · a) black crayon on wove paper b) black crayon on wove paper

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The image shows a woman and a man in a dimly lit room. The woman is adjusting her loose garment and the man is lying in bed, looking at her. The woman has dark hair in a bun and the man has short, dark hair and a mustache. There is a table with a hat on it, and a partially visible painting on the wall in the background. The setting appears cozy and intimate.

Print1943.3.3846.a-b

a) L'amour à Paris (Love in Paris) (recto); b) Untitled (verso)

Jean-Louis Forain

c. 1893 · a) lithograph on wove Arches vellum paper b) graphite on wove Arches vellum paper

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The image shows a man and a group of children. The man is on the right side, wearing a hat and overcoat, with one arm extended. The children are in front of him, looking up. The man has a serious expression and a beard. The children are simple in appearance. There are other figures in the background, suggesting a crowd. The man is near some steps or a flat structure, with a plain background.

Drawing1943.3.4024.a-b

a) L'Englise de leurs peres (recto); b) Man with Cigarette (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush and black ink and black crayon on wove paper b) brush and black ink on wove paper

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This is a drawing of a prone figure among foliage and a directional marker. The image features a figure lying face down, partially obscured by dense vegetation. Beside the figure is a column-like object with the words "VERDUN 11 K" inscribed on it. The drawing is rendered in black and white, using expressive lines to create texture and movement. The composition contrasts the solid form of the milestone with the softer, flowing lines of the natural elements around it. The title "La Borne" is handwritten at the bottom of the drawing.

Drawing1943.3.4042.a-b

a) La Borne, Verdun (recto); b) Wounded Soldier and First-Aid Man (verso)

Jean-Louis Forain

c. 1916 · a) brush with black and gray ink and black crayon over graphite on wove paper b) black crayon on wove paper

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This is a drawing of a person next to a large wooden pole in abstract surroundings. The drawing features minimalistic and expressive linework. The person is crouched next to a tall, jagged structure that appears to be a pole or beam. Abstract lines suggest a rocky terrain or rubble around the figure. The background is mostly empty, highlighting the central interaction between the figure and the structure.

Drawing1943.3.4058.a-b

a) La fête nationale (The National Holiday) (recto); b) Woman Holding Child (verso)

Jean-Louis Forain

1918 · a) brush and brown and black ink over black crayon on wove paper b) black crayon on wove paper

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The image displays swirling lines and shapes forming an abstract composition. Dark lines in the center suggest figures, resembling people sitting closely. Broad strokes of blues, grays, and browns create a fluid background. The arrangement of colors and forms evokes a connection to a group at sea or on a shoreline, with the fluid shapes emphasizing movement or flow.

Drawing1943.3.4028.a-b

a) La Guerre sous-Marine. L'ecole des Neutres (recto); b) Study of La Guerre sous-Marine. L'ecole des Neutres (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush and black ink, black crayon, and watercolor on wove paper b) black crayon and brush and black ink on wove paper

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Drawing1943.3.3907.a-b

a) Lady and Gentleman in Evening Dress (recto); b) Sketch of Figure (verso)

Jean-Louis Forain

Date not recorded · a) pen and black ink on wove paper b) pen and black ink on wove paper

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Drawing1943.3.4044.a-b

a) Le baiser du drapeau (recto); b) Study of Le baiser du drapeau (verso)

Jean-Louis Forain

1918 · a) black crayon on laid paper b) black crayon on laid paper

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The image shows two figures. The first figure on the left is standing with their head bowed and hands clasped in front of their chest. They have a bald head and are wearing a sleeveless undershirt with overalls. A shovel is leaning against a blue wheelbarrow beside them. The second figure is seated or kneeling, with their upper body facing the standing figure. This person is wearing a hat and a quilted garment. The background consists of abstract shapes with brush-like textures in ochre and grey tones, suggesting a distant landscape with structures. The scene is set against a plain light backdrop.

Drawing1943.3.4136.a-b

a) Le Poilu et Prisonnier (Poilu and Prisoner) (recto); b) Study of Prisoner (verso)

Jean-Louis Forain

c. 1914/1919 · a) watercolor and black crayon on wove paper b) black crayon on wove paper

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This is a drawing featuring a soldier standing beside a cart, with abstractly rendered figures nearby. The soldier is depicted in full uniform with a cap, and the other figures are sketched more abstractly. The cart in the background is outlined simply. The drawing employs a minimalist style, focusing on the main figure and using sketch-like outlines for additional narrative elements.

Drawing1943.3.4023.a-b

a) Le replis boche (recto); b) Sketch for the Figure of the German (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush with black ink, watercolor, and black crayon on wove paper b) black crayon on wove paper

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The image shows a sketch of a person standing. They appear to be looking downward. The person has dark hair, which partially covers their face. They are wearing a long dress and dark shoes. In the background, there are few details, including figures kneeling, sitting, and standing far away. Some textures imply natural elements like hills or rocks. The scene appears calm and quiet.

Drawing1943.3.4039.a-b

a) Les Allemandes sont partis (recto); b) Sketch of a Man (verso)

Jean-Louis Forain

c. 1914/1919 · a) black crayon and watercolor on laid paper b) black crayon on laid paper

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The image shows two people dressed in naval attire. One person is standing with binoculars raised to their eyes, while the other person is lying down, propped up with one elbow. The sketch is depicted with black lines on a plain background.

Drawing1943.3.4084.a-b

a) Looking for the Enemy (recto); b) Sketch for Looking for the Enemy (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush and black ink on wove paper b) brush and black ink on wove paper

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The image shows three full-body figures in a monochromatic style. On the left, a standing woman looks downward towards a seated man in the center, who is hunched over. Beside him is a child, looking at the man's hands which hold an object resembling a plate. The figures are dressed in long, simple garments. The background suggests a sparse room with a possible table. French text is included above and below the figures.

Drawing1943.3.3912.a-b

a) Ludus pro Populo (recto); b) Head of a Man (verso)

Jean-Louis Forain

Date not recorded · a) black crayon on wove paper b) black crayon on wove paper

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The image depicts a man from the waist up standing with his arms resting on a railing. He is leaning forward slightly with his head turned downward and to the side. The man has a face with a mustache, wearing a hat that covers his hair. He is dressed in a coat or jacket over a vest, with visible folds in the fabric. There are faint sketches of other figures and abstract lines around him, along with minimal architectural elements in the background. The man is not wearing any visible jewelry or accessories.

Drawing1943.3.9056.a-b

a) Negotiations at the Trianon Palace, Versailles (recto); b) Study for Negotiations at the Trianon Palace, Versailles (verso)

Jean-Louis Forain

c. 1919 · a) brush and black ink over graphite on wove paper b) brush and black ink on wove paper

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This is a drawing showing a group of figures under a tent. The scene includes people gathered under a canopy made of draped cloths and wood supports. Objects like pots and fabric, along with some greenery, are seen around the area. The drawing features detailed line work that conveys movement and activity among the figures.

Print1958.8.77.a-b

a) Noce de Village (Village Wedding); b) Noce de Village (Village Wedding)

Charles-Melchior Descourtis after Nicolas Antoine Taunay

1785 · a) etching printed in black on laid paper; b) etching printed in black on laid paper

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The sketch depicts two figures and a cat. The first figure is an adult supporting a standing child. The child is reaching out towards a small cat, which is standing with its back arched. The adult and child lack detailed facial features or hairstyles. Both figures are shown from the head down to the knees, without visible accessories. The background is plain, emphasizing the interaction between the figures and the cat.

Drawing1943.3.3900.a-b

a) Nurse and Child (recto); b) Man on Horseback (verso)

Jean-Louis Forain

Date not recorded · a) pen and black ink on wove paper b) pen and black ink and purple pencil on wove paper

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The image shows horses and a person among rugged terrain. The horizon is subtly depicted, blending the sky and land. The horses are portrayed with expressive lines, while a person stands with their back turned near tent-like structures. The color palette is monochromatic in shades of gray and off-white, giving a vintage feel. The print has a textured appearance.

Print2021.103.2.a-b

a) On Maneuvers (recto); b) On Maneuvers (verso) (Alle Manovre)

Giovanni Fattori

1888 · etching on laid paper (proof impressions on recto and verso)

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The image shows two figures in a simple, monochromatic style. The figure on the left is standing upright, facing right, wearing a long coat and a helmet that covers their head. The figure on the right appears to be sitting or leaning against a rectangular structure.

Drawing1943.3.4054.a-b

a) Poilu and Nurse (recto); b) Sketch for the Poilu (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush and brown and black ink on wove paper b) brush and brown ink on wove paper

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The image depicts a person kneeling on the floor facing a sketchbook or canvas on an easel. The individual has short hair and wears a loose, long-sleeved shirt with dark pants. Art supplies are scattered nearby. A table to the right holds a teapot and cup. The background is a plain wall.

Drawing1943.3.3903.a-b

a) Print Connoisseur (recto); b) Sketch of Print Connoisseur (verso)

Jean-Louis Forain

Date not recorded · a) brush and brown ink and black chalk with brown wash and white heightening on laid Van Gelder paper b) black crayon on laid Van Gelder paper

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The image depicts a side view of two individuals, an adult and a child, drawn in black and blue lines against a cream background. The adult is seen in a standing and slightly hunched posture, facing right, with both hands placed near their waist. They have an ambiguous dark outline where facial features reside, and their hair appears covered mostly by a hood or shawl draped over their head and shoulders down to their feet. The child stands close to the adult, gazing up at them, with a hand possibly clinging to the adult's garment. The child’s head is lifted, and the dark hair is flowing down the back. The background is minimally detailed, with faint sketches suggesting other figures or objects scattered towards the right side of the image.

Drawing1943.3.4045.a-b

a) Refugees (recto); b) No 2 (verso)

Jean-Louis Forain

c. 1914/1919 · a) brush and black ink and blue crayon on wove paper b) blue crayon on wove paper

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This is a drawing of a crowd gathered around a man standing on an elevated platform. The scene depicts an event where a large group of people is focused intently on a central figure who appears to be addressing them. The group is huddled together, filling the lower half of the drawing and drawing the viewers' eyes toward the figure standing above them. The man at the center is depicted in a coat, hat, and holding an umbrella. Behind the gathering, an industrial landscape is visible with structures such as factories and smokestacks under a cloudy sky. The drawing uses soft shading and lines to convey both the mass of people and the industrial setting.

Print1943.3.3860.a-b

a) Scène de grève (3e planche) (Scene of a Strike) (third plate) (recto); b) Untitled (verso)

Jean-Louis Forain

c. 1897 · a) lithograph on laid paper b) black lithographic crayon on laid paper

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The image shows a sketch of five figures' upper bodies. The central figure on the right wears a uniform with a plumed helmet and has a broad mustache. To the left are four smaller figures, depicted with only their heads and shoulders. The facial features are detailed with shading to express various emotions. The figures are cloaked in loose garments, with some holding their heads in their hands. The background is minimalistic, with lightly sketched lines hinting at a vast, open space or distant structures. The sketch is in black ink on a beige surface, emphasizing the expressive nature of the figures.

Drawing1943.3.4114.a-b

a) Si ils avaient vaincu (recto); b) Sketch of Si ils avaient vaincu (verso)

Jean-Louis Forain

c. 1919 · a) brush and black ink on laid Van Gelder paper b) brush and black ink on laid Van Gelder paper

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