National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,836 open-access works

63,836 NGA-open-access works
Dataset refreshed September 12, 2026

The image is a promotional poster for the book "Yvette Guilbert" by Gustave Geffroy and illustrations by Henri de Toulouse-Lautrec. The poster features Art Nouveau stylized text and imagery. The centerpiece is a stylized silhouette of an extended arm and hand on a cream background. Text about the book's details, price, and publication are creatively arranged around the image. The style is reminiscent of Henri de Toulouse-Lautrec.

Print1952.8.366

Advertisement for the Album "Yvette Guilbert"

Henri de Toulouse-Lautrec

1894 · woodcut in black

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A young and older man, both with pale skin, stand next to each other in shadowy room looking at a piece of white paper held by the older man in this vertical painting. Light from the upper left falls across the men, and they take up most of the height of the composition. The paper is held by a balding, elderly man at the center of the painting. He wears a knee-length, dark brown jacket and trousers. His has a gray beard and hair, and thin black lines delineate his brows and trace the creases on his face. A younger man standing to our left has short black hair and ruddy skin. He tilts his head to gaze at the paper in the older man’s hands. The younger man wears a sage-green jacket, and his lower body is partially hidden by a wooden rack before him. The V-shaped rack supports an open, dark green portfolio folder, and the young man rests his hands on the edges of more sheets of paper there. There are two paintings hanging on the olive-green wall of the room to each side of the men, but they are loosely painted and deep in shadow, so the subjects are difficult to make out. Another aquamarine-blue folder rests against a red bed or sofa that runs along the back wall. A white, folded cloth sits on the sofa above the portfolio. The artist signed the lower left, “h. Daumier.”

Painting1941.6.1

Advice to a Young Artist

Honoré Daumier

1865/1868 · oil on canvas

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This is a drawing featuring a skeleton interacting with three clothed figures. The skeleton stands in an archway, engaging with the figures who are dressed in period attire. The background shows a street scene with European architectural elements. Surrounding the central scene is an ornate frame with cherubic figures, skulls, and columns, with Latin text at the bottom. The artwork is detailed with intricate linework.

Print1943.3.4894

Advocate

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck

1651 · etching with border "Democritus and Heraclitus" (Pennington 233A)

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The image displays a large wooden axe head mounted on a log with a wedge-like base resting on a surface. The axe is mainly composed of natural wood tones with shades of brown and black, seen in the textured grain of the wood. A line drawing of the axe is at the top right corner, offering a simplified view of its shape. The axe occupies the bottom middle of the composition.

Index of American Design1943.8.8161

Adze

Lloyd Charles Lemcke

1938 · watercolor, graphite, pen and ink on paper

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The image shows a large, wooden-handled tool with a metal head that curves at both ends. The color palette consists of earthy browns and muted metallic gray, with the wooden handle showing a range of light to dark brown hues and the metal head a rusty brown. Positioned centrally in the image, the object is oriented vertically with the handle at the bottom and the curved metal head at the top. The head slightly tilts to the right. The background is a plain, off-white shade.

Index of American Design1943.8.11427

Adze

Dana Bartlett

c. 1940 · watercolor, colored pencil, and graphite on paper

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A large, weathered claw hammer is displayed in the image. The hammer has a wooden handle and a rusted metal head. The color palette includes earthy tones, with the brown handle contrasting against the darker, rusty brown head. The hammer is positioned horizontally with the claw side facing to the right. It is slightly diagonal from the bottom left to the top right of the image. The background is a plain off-white color.

Index of American Design1943.8.11428

Adze

LeRoy Griffith

c. 1941 · watercolor, colored pencil, and graphite on paperboard

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The image depicts two people in a room. On the left, a man is standing holding a crying baby in a blanket. The man appears to be speaking. On the right, a woman is seated at a table, focused on painting a decorative plate. The table is filled with painting supplies. In the background, there are two framed artworks on the wall above a sofa.

Print2015.143.1179

Adélaide ... ma bonne ... fais donc ...

Honoré Daumier

1855 · lithograph

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The image features two figures in full body. On the left, a person leans forward, holding a candle in a holder. This person has an elongated face with high cheekbones and wears a nightcap and loose, simple clothing. On the right, a second person is slightly bent over, looking through a telescope. This figure's facial features include sharp, pronounced lines and a focused expression, with a tall, pointed hat on their head. They wear tight-fitting clothing and hold a telescope aimed toward an open window showing a night sky dotted with small stars. The background shows the framed, open window with a railing outside, in an interior space dimly illuminated by candlelight.

Print1989.62.3

Adélaide...Adélaide...il me semble que je vois deja venir la comète !!...

Honoré Daumier

published 1857 · lithograph on wove paper

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The image shows two women in a studio setting. One woman is sitting and the other is standing. The seated woman is positioned at an angle facing the easel, leaning slightly on her left arm. The standing woman leans against a wooden table with her left hand resting on its surface. The seated woman has dark hair styled in an updo with green ribbons, and she wears a dark dress with voluminous sleeves. The standing woman has her hair in an updo and wears a light blue dress with a pink tie around the collar. The studio is richly decorated with a large canvas on an easel, leaning paintings, and various art supplies scattered around, including a rolled piece of paper on the tiled floor. The wall behind them is adorned with decorative plates and a white bust. An ornate rug is partially visible beneath the table.

Drawing2022.77.1

Adéle de Saussure and Marie-Louise Ravel, the Artist's Wife, in His Studio

Edouard Ravel

1877 · watercolor on wove paper, laid down on mount

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The scene features ancient architectural ruins viewed from a ground-level perspective. The horizon, detailed with swirling clouds, reveals undefined structures against the sky. Meticulous linework creates texture and depth on the stonework and vegetation. The color palette includes sepia and deep browns. Figures are scattered among the ruins, with statues and stone carvings adorning the structures. More ruins and foliage stretch towards the horizon, conveying a sense of vastness and antiquity.

Print2014.176.10.4

AEdis antiquae, AEdificiorumque adiacentium fragmenta

Pietro Gaspari

1771 · etching with engraving on laid paper

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The image shows a classical ruin with large stone columns, some intact and others broken. The background features the sea meeting the sky, with coastal mountains in the distance. The artwork uses bold and varied brushstrokes or charcoal lines to depict the scene, emphasizing the ruggedness of the stone. The color palette is monochromatic, focusing on shades of black, gray, and white to highlight the historic structures. In the distance, hills and the sea are visible, framed by a lightly clouded sky.

Print1943.3.6971

Aegina, The Black Forest

Joseph Pennell

1913 · lithograph

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This is a drawing of an angel overseeing a scene set in ancient architecture with figures in flowing garments. The composition includes classical architectural elements and multiple figures in various poses. An angelic figure floats above, holding a sword or staff. Structures suggest an ancient setting with arches, towers, and distant landscapes. Figures convey emotion through gestures and interactions, such as tending to wounded or sleeping individuals. The line work, light, and shadow emphasize the drama and complexity of the scene.

Print1979.1.5

Aegros Curare

Sébastien Bourdon

1665/1670 · engraving

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The image shows two individuals. The person on the left stands, slightly leaning forward, wearing a detailed helmet with a plumed crest. They have classical facial features and long hair peeking from the helmet. The individual wears a tunic, cloak, and sandals. Facing them is another individual in layered clothing and a cloak. They are holding a branch or staff. The background includes trees and a third character reclining against a large amphora from which water flows.

Print2013.13.12

Aeneas and the Sibyl

Gerard de Lairesse

c. 1670 · etching on laid paper

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This is a drawing of two figures posing against billowing smoke and architectural structures. The drawing is done in ink and a wash technique on textured paper, using fluid lines to define forms and movement. The figures are muscular, with shadows accentuating their physique. The background includes swirling clouds and city-like structures. Shading adds depth and emphasizes dramatic tension in the scene.

Drawing1971.79.1

Aeneas Carrying Anchises from Burning Troy

Gaspare Diziani

c. 1733 · pen and brown ink with gray wash on tan laid paper

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The image shows a sculpture of a detailed relief on a circular medallion. The relief features a group of figures on a boat, including a man in armor standing at the left and a seated woman holding a flowering branch. An older man, possibly a ferryman, is shown standing and using a large oar to guide the boat. Below the boat, several smaller human figures are depicted. The sculpture is made of bronze, giving it a brown color and a metallic luster. The relief is carved with attention to detail, creating a sense of depth within the figures and depicting an elaborate scene reminiscent of a classical or mythological narrative.

Sculpture1957.14.236

Aeneas Descending to the Underworld

Master of the Orpheus Legend

fourth quarter 15th century · bronze//Dark brown patina

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The sculpture depicts a detailed, round antique ship sailing on turbulent waters with the word "DYRATE" inscribed above it. The object appears to be made of a shiny, silver-colored metallic material resembling a coin or medallion, featuring an intricately carved ship with sails, rigging, and waves, all surrounded by a beaded edge. The ship is central to the piece, showcasing careful craftsmanship in its three-dimensional appearance against the flat background.

Sculpture1957.14.1231.b

Aeneas in the Storm [reverse]

Giovanni Vincenzo Melone

c. 1571 · silver

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This is a drawing of a scene with mythical figures set against a dramatic background. There is a central female figure on a rocky formation surrounded by clouds and other ethereal figures. She wears a crown and flowing garments. Below her, two additional figures are depicted in dynamic poses; one is gesturing and the other stands beside them. The atmosphere is mystical and intense, with detailed linework and shading emphasizing movement and interaction between the figures. The style exudes qualities of dramatic narration and ancient mythological themes.

Drawing2009.70.188

Aeneas in the Underworld

Roman 18th/19th Century

1780/1820 · pen and brown ink with gray and gray-brown wash over graphite, with brown ink border line by the artist, on laid paper

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This is a drawing of three figures. The central figure is carrying two smaller figures on their shoulder. They seem to be in motion, with a chaotic and fiery background. The figures display distress and vulnerability. The drawing features intricate linework and depicts a cityscape with smoke and flames on the left and vegetation on the right.

Print1984.79.1

Aeneas Saving His Father from Troy

Ludwig Büsinck after Georges Lallemand

Date not recorded · chiaroscuro woodcut printed from two blocks in tan and black

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The image shows an aerial view of a historical city map, focusing on Jerusalem. The perspective is elevated, offering a comprehensive view of the cityscape and surrounding areas. The horizon is visible, with faintly drawn additional settlements or structures in the distance. The illustration features detailed linework defining buildings, city walls, and topographical features like hills and valleys. The color palette is monochromatic, mainly sepia tones, giving it an antique appearance. The image depicts the dense clustering of buildings and landmarks within the city walls, with the landscape gently sloping away outside the city towards the horizon, including smaller structures and natural terrain.

Print1986.50.165

Aerial View of the City of Jerusalem

Jacques Callot

1619 · etching and engraving on laid paper [restrike]

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This is a drawing of an elaborate theatrical stage or arena. It features an enclosed space with high walls adorned with numerous sculptures and decorative elements, multiple tiers of seating ascending the walls on both sides, and a large horse-drawn chariot in the center. Figures and additional horses are dispersed throughout the scene. The architecture includes ornately detailed structures topped with crowns and eagles, suggesting a regal or imperial theme. The precision of line work and detailed ornamentation is reminiscent of baroque aesthetics.

Print1987.62.1

Aerial View of Theatre

Stefano Della Bella

1652 · etching and engraving on laid paper

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The image depicts a detailed line drawing of thick, intricate trees with abundant foliage and twisting branches filling the frame. There is no distinct horizon line visible, as the tree branches dominate the composition, creating a canopy effect. The illustration features fine, delicate strokes capturing the textures of the leaves and branches. The color scheme is mainly light tans and browns. In the background, a person is seated on the ground, while another figure is partially hidden by foliage, both appearing small compared to the trees.

Print1941.4.24

Aesacus and Hesperie

Joseph Mallord William Turner

published 1816 · etching

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The image shows a densely wooded area with a water feature flowing through it. The viewpoint is slightly elevated, capturing the forest setting with tall trees, branches forming a lush canopy, and a stream flowing over rocks. A seated figure is seen in a clearing, with another figure further into the scene. The composition is detailed with fine brushstrokes depicting leaves, rocks, and water realistically. The color palette consists of rich sepia tones. Light and shadow play on the landscape, enhancing its details.

Print1941.4.25

Aesacus and Hesperie

Joseph Mallord William Turner

published 1816 · etching

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The image shows a sepia-toned illustration of a densely forested area. The view is slightly elevated with tall, arching tree branches framing the scene. Intricate patterns of leaves and shadows play throughout the image. The illustration displays detailed brushstrokes creating texture in the foliage. The color palette consists of shades of brown and tan, enhancing the timeless feel. There are figures near a calm body of water - a male figure seated by the water, and another figure approaching from the right surrounded by dense undergrowth. The setting evokes stillness and quietness in an untouched natural world.

Print1943.3.8194

Aesacus and Hesperie

Joseph Mallord William Turner

published 1819 · etching and mezzotint

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Sculpture1957.14.157

Aesculapius

Florentine 15th Century

15th century · bronze//Light brown patina

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