National Gallery of Art · Open Data

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows a round, bronze medallion with a detailed relief sculpture. The medallion depicts four figures, two of which are centered. One standing figure holds a long object, while the seated figure extends her arm. Another figure to the right holds a circular object, and a figure to the left holds a staff with a small figure or head. The scene is enclosed within a circular boundary, and there is a small hole near the top. The bronze material gives the piece a warm hue, and the figures are intricately detailed.

Sculpture1957.14.478

Allegorical Scene-Sacrifice to Diana

Master IO.F.F.

second half 15th century · bronze//Light brown patina

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This is a drawing of a mythical scene with fantastical creatures. The setting is a rugged natural environment with a nude figure on a rock holding a large reflective disk or shield. The creatures include a lion with dragon-like features and a horse with a serpentine tail, depicted in a dynamic manner interacting with each other. The landscape includes expansive plains and a distant castle, hinting at a classical influence.

Print1941.1.11

Allegorical Theme: Combat of Animals

Master of the Beheading of St. John the Baptist

c. 1515/1520 · engraving

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This is a drawing featuring a seated figure playing a musical instrument surrounded by mythical creatures. The right side of the image shows a rocky landscape with foliage and a small representation of a cityscape in the background. The creatures surrounding the figure have various unique and fantastical features, suggesting a scene from mythology or fantasy. The drawing includes intricate details of the foliage, rocks, creatures, and the figure, showcasing the artist's imaginative skill.

Print1951.10.451

Allegorical Theme: Combat of Animals

Master of the Beheading of St. John the Baptist

c. 1515/1520 · engraving

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This is a drawing of a classical allegorical scene with mythological elements. The image depicts various figures arranged in a mythological setting, with a central draped figure surrounded by other characters, some with wings. Objects such as shields, garlands, and a lion add to the allegorical feel. The background features ornate architectural elements. The shading and intricate details suggest a classical style.

Print1958.8.139

Allegorie sur la mariage du Comte de Provence

Gabriel Jacques de Saint-Aubin

1771 · etching, reworked with graphite and brown and black ink on laid paper

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A winged, nearly nude woman with ivory-white skin, partially wrapped in a crimson-red cloak, delicately holds up the reins of a gray horse as it rears toward her in this vertical painting. They stand on a roughly oval-shaped disk of gray rock carpeted with mustard-yellow growth. Stubby brown branches jut out from its sides. To our right, the woman’s body faces us as she looks toward the horse, to our left. The woman’s honey-brown hair is braided and wound into coils over her temples. The rest is pulled back, and tendrils frame her face and fall over her shoulders. A strand of pearls drapes along her hairline between the braids. Her hazel-brown eyes and slightly parted pale lips are set in a round face. Tall wings edged in earth brown and filled with a blend of ivory, caramel brown, and mustard yellow reach up along either side of her head. Her long cloak is knotted on at her right shoulder, on our left, and drapes across her clavicle, over her other shoulder, and down her back. One corner wraps across her hips and mid-section, and drapes over her outstretched left arm, on our right, revealing bare legs. A cream-white and caramel-brown striped sash under the cloak is tied over one shoulder and knotted under her bare breasts. She holds a short, dark brown tree branch covered with spiky leaves in her left hand, our right. The other hand is raised to daintily hold one end of the thin gold string wound around the horse’s neck. The horse balances on its hind legs with its front hooves dangling in mid-air. His body is angled toward the woman, but his head turns back as he faces us with his mouth hanging open. The horse's head and tail seem too small for its large body. Along the bottom edge of the composition, in front of the spit of land, a mermaid with long blond hair and two charcoal-gray tails swims with arms extended in front of her. The water is pale beige closest to us and transitions to a light blue as it recedes into the distance, where it blends into the milky white sky. Birds fly over ghostly, powder-blue headlands studded with caramel-brown trees in the distance to our left. A boat sails in the water in the distance to our right.

Painting1939.1.160

Allegory

Piero di Cosimo

probably c. 1500 · oil on panel

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A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.

Painting1948.17.1

Allegory

Pietro degli Ingannati

c. 1515-1525 · oil on panel

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The image is a black and white illustration featuring a group of robed figures in what seems to be a religious or medieval setting. The figures are shown from the waist up, with many facing towards the right side where an angelic figure is seated on a cloud, blowing a trumpet. The people have different hairstyles and various expressions. They are dressed in robes with intricate details, some with patterned collars or cuffs. One figure holds a string of beads. In the background, there is a cloudy sky, setting a divine tone. The line work in the image adds texture and emphasizes the historical and stylistic themes.

Print1943.3.8371

Allegory - Religious Frivolity

Hans Weiditz, II

Date not recorded · woodcut

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This is a drawing featuring an oval composition framed by text. In the center, there is a youthful figure on a platform with a crown, holding an olive branch. Flanking the central figure are two draped female forms interacting with a shield inscribed with historical battles. Architectural motifs and inscriptions below add to the grandeur and historical context.

Print2018.91.47

Allegory Celebrating the Birth of the Duc d’Enghien

Louis-Gabriel Monnier, after Charles-Joseph Le Jolivet

1772 · etching and aquatint printed in brown

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This is a photograph of an ancient coin or medallion. The coin features a central figure standing on a pedestal or column, surrounded by intricate designs and smaller figures. The surface of the coin shows signs of wear and patina. Around the outer edge, there is an inscription whose letters are visible but worn. The central figure appears to be holding an object, and additional small depictions can be seen around the pedestal. The artistry of the coin reflects a high level of craftsmanship typical of historical minting, with attention to detail in both the figure and the surrounding designs.

Sculpture1997.114.22.b

Allegory Celebrating Victory at Lepanto [reverse]

Giovanni Vincenzo Melone

1571 · bronze

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This is a drawing of a battle scene with a warrior in armor fighting a lion with a spear. Angelic figures are depicted above and around the scene. The background includes grand architecture with columns and arches. A robed figure stands within one of the arches. Mythical figures are shown flying or floating in the clouds and sky. The composition features a monochrome palette and detailed lines to convey drama and motion.

Drawing1985.1.11

Allegory in Honor of a Gentleman

Dutch 17th Century

3rd quarter of the 17th century · pen and brown ink with brown wash over graphite

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The image depicts a woman holding a shield with a man's face on it. She sits on the ground, facing right, with her head turned towards the shield. She wears draped clothing, her hair is tied back, and she does not wear any visible jewelry. In the background are a large urn on a base, tall trees, and a frieze with relief figures. The scene is monochromatic with detailed line work.

Print1991.164.49

Allegory in Honor of Anne of Austria

Claude Mellan

Date not recorded · engraving on laid paper

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The image is an engraving featuring a group scene within an ornate oval frame. A central figure, possibly female and partially clothed or nude, presents draped fabric and holds a wreath above a portrait of a bearded man. Surrounding this central image are various figures in different poses, with some depicted as winged. These figures wear toga-like or flowing garments, with a few shown fully nude. The portrait of the bearded man is at the center, with classical features and a gentle expression. Smaller portraits that resemble historical figures encircle the scene. At the bottom center of the frame is an illustration of two horses within an emblem. The ornate border is embellished with detailed floral and leaf motifs, with text on the top scrollwork. Floral arrangements and banners are at the upper left and right corners of the oval. The larger background is plain, with a text description below the scene.

Print1991.208.22

Allegory in Honor of Henri IV

François Marie Isidore Queverdo and Jean Dambrun

Date not recorded · engraving on laid paper

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This is a drawing of a mythological scene with classical figures and cherubs. The artwork features a dense and complex composition with numerous cherubs scattered throughout the scene. At the center, several classical figures are depicted in flowing garments, surrounded by a landscape of large trees and a stone structure. There is a winged creature resembling a griffin, hovering atop a cloud. The scene exudes an ethereal atmosphere, intricate with detailed linework, capturing a sense of movement and drama typical of a baroque style.

Print2022.68.3

Allegory in Honor of the Arrival of Cardinal Franciotti as Bishop of Lucca

Pietro Testa

1637 · etching with burnished tone on laid paper

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The etching depicts a scene with a knight falling off a rearing horse, a man interacting with a large creature, and a distant landscape with a village, church, houses, mountain, and a castle atop it. The sky is clear, emphasizing the hills and structures. The artwork features detailed line work typical of renaissance prints, giving depth and texture to each element with intricate contours and shading. The monochromatic color palette contributes to the scene's ambiance. In the top portion, there is a framed inscription with a decorative border.

Print1979.44.1

Allegory of "Pride Goeth Before Destruction...": A Gentleman and a Lady on Horseback

Christoph Bockstorfer

1531 · etching (iron)

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A muscular, nearly nude Black man reclines on a lion’s skin in this freestanding bronze sculpture. In this photograph, his head is to our left and his feet extend to our right. His face tips down, and he has short, curly hair, a furrowed brow, and a small, rounded nose. His full lips are closed, and he has hollows in his cheeks. He leans onto his right elbow, closer to us, which rests on an object, perhaps a basket. His right knee is raised so that foot is flat on the ground. He clutches the bent leg just below the knee with his other hand, and his left leg stretches long. The lion’s head, with eyes closed, rests beneath the bent knee. Long fur, hair, or another material hangs from a rope around the man’s waist. He and the pelt rest on a narrow rectangular base. The dark patina of the bronze has been burnished or rubbed gold in some areas, especially along the ridges of the man’s muscles and on the extended foot.

Sculpture1991.84.1

Allegory of Africa

Frédéric-Auguste Bartholdi

model 1863/1865, cast date unknown · bronze

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Drawing1971.44.3

Allegory of Age

Jacob Matham

Date not recorded · pen and brown ink with brown wash on laid paper

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The image shows several figures within a forested environment. A muscular figure with long, curly hair stands in the center, surrounded by other figures. To the left, a standing figure with curly hair is partially draped in cloth, while a smaller child-like figure is nearby. On the right, a woman with curly hair adorned with grapevines has her arm around another figure, who rests their head on her shoulder. A small child-like figure is on a tree branch above. The figures are in a relaxed state amidst the trees and subtle foliage, with a distant mountainous landscape in the background. At the top right corner, a small cherubic figure is entwined around a decorative band with the name "ROBETA."

Print1943.3.7361

Allegory of Carnal Love

Cristofano Robetta

Date not recorded · engraving

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This is a drawing of several figures set against a natural backdrop. The drawing features a group of six figures, along with two smaller figures, who appear to be in a garden or wooded setting. The figures are depicted in various poses, some with arms raised. Around them, trees with sparse foliage frame the scene, and clouds are visible in the sky. The engraving is detailed, with careful attention to the human form and drapery. The scene is bustling with life, creating a lively tableau with dynamic interactions between the figures and their surroundings.

Print1964.8.1432

Allegory of Carnal Love

Cristofano Robetta

Date not recorded · engraving on vellum

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The sculpture depicts a woman seated on the ground, clothed in flowing drapery, with two young children or cherubs. One child is held on her lap, while the other stands to the side, reaching up towards the woman. The background shows an architectural arch. The medium of the sculpture appears to be metallic, likely bronze. The relief sculpture creates a three-dimensional effect, allowing the viewer to perceive contours and details such as the folds of the clothing, the hair, and the interactions among the figures.

Sculpture1980.58.1

Allegory of Charity

Attributed to Master of the Judgment of Solomon

c. 1580 · bronze

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Painting1939.1.147

Allegory of Chastity

Lorenzo Lotto

c. 1505 · oil on panel

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The image shows a winged figure standing in a contrapposto pose. They have a calm expression, intricate hair with a leaf crown, and wear draped classical attire. They hold a heart emitting sun rays in their left hand and a staff in their right hand. A snake is at their feet. The background shows a paved area with sparse vegetation. Inscriptions are present in the image.

Print1943.3.1068

Allegory of Christianity

Sebald Beham

c. 1540/1549 · engraving

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The image shows a group of figures in various poses. At the top, a central figure is seated and surrounded by cherubic figures with wings. The central figure has soft facial features, wavy hair, and wears flowing clothing. The cherubs are depicted in dynamic poses. Below, numerous men are shown in classical robes, some seated, others standing or reclining. They are gesturing upwards towards the central figure. The background consists of swirling clouds and rays of light, while the lower portion shows sparse foliage. The scene appears to depict a narrative.

Print2018.91.46

Allegory of Conception or Allegory of Redemption

Pierre Lelu, after Giorgio Vasari

1783 · etching and aquatint printed in red-brown on laid paper

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This print shows five adults and one child depicted in various poses in an outdoor setting. In the center is one standing woman, surrounded on either side by two couples. All the people have pale skin and are nude, although the woman in the center and one woman on the right have thin cloths draped around their hips. The couple on the left is seated on a rock, one person sitting on the other's lap, their legs intertwined. The other couple stands, their arms around each other's waists. The woman in the center appears old, with sharp features and deep wrinkles on her face. She is looking downward towards the ground. In the bottom left corner, a cherubic child sits on the ground, looking up at her. The ground beneath the people is rocky, with small patches of grass. In the background, there are tall trees on the left and a path leading to a town on a hill on the right, under a clear sky. The background of the print is beige paper.

Print1941.2.16

Allegory of Envy

Cristofano Robetta

Date not recorded · engraving

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This is an image of allegorical figures surrounded by clouds. Several classical figures draped in robes and adorned with laurels or other decorative headpieces are engaging in a ceremonious scene. A central figure, who appears to be youthful and partially clothed, is holding laurel wreaths, while other figures are interacting with or presenting items to them. They stand surrounded by swirling clouds or ethereal forms, contributing to a celestial or mythological atmosphere. The artwork features intricate line work and detailed expressions characteristic of neoclassical or mythological art styles.

Drawing1992.87.23

Allegory of Fame

Charles-Nicolas Cochin II

1773 · red chalk with traces of graphite on wove paper

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