National Gallery of Art · Open Data

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image displays a drawing of a female figure standing in a graceful pose. She has curly hair, facial features, and is holding a thin stick. She is dressed in a flowing garment resembling a Greco-Roman style. The background is plain, and there is a red stamped seal in the bottom right corner of the image.

Drawing2018.44.30

Allegorical Female Figure

John La Farge

1880s · graphite on wove paper

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This is a drawing of a figure lifting a stone in a landscape. The figure is surrounded by hills, trees, and a distant structure under a cloudy sky. Ink wash and bold outlines are used to create depth and texture.

Drawing1984.1.29.a

Allegorical Female Figure in a Landscape [recto]

German 17th Century

c. 1600 · pen and brown ink with gray and brown wash

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The sculpture is a circular relief depicting a seated female figure in a flowing dress with one hand raised and the other resting on her lap, holding the fabric of her dress. Beside her, a small dog is depicted gazing up at her. The sculpture is made of a bronze-colored material, giving it a metallic sheen with a slightly reddish-brown hue. The details of the folds in the dress and the facial features of both the woman and the dog are delicately carved.

Sculpture1957.14.415

Allegorical Figure

North Italian 16th Century

c. 1500 · bronze//Medium brown patina

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This is a drawing featuring a central nude figure standing on a winged globe. There is a mythical creature nearby, resembling a sea serpent or dragon. In the background, a cityscape is visible on the right side, with clouds and two faces in the distance. The drawing is done in red and black chalk with sketch-like qualities, showing visible lines and shading for depth and volume.

Drawing1977.44.1

Allegorical Figure

Giuseppe Cesari, called Cavaliere d'Arpino

probably c. 1588 · black and red chalk on laid paper

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The image shows a sketch of a person's upper body, with their head slightly tilted downward and a serene expression. The hair is styled with hints of a headdress, and the clothing drapes loosely. The person appears to be cradling or resting against a rounded object. The sketch features soft lines and shading to outline the figure, set against an unadorned background with a central oval shape framing the figure.

Drawing2003.118.19

Allegorical Figure

French 19th Century

Date not recorded · red chalk on wove paper

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Print1964.8.1033

Allegorical Figure Holding a Sphere

Giorgio Ghisi possibly after Giulio Romano

mid 1560s · engraving on laid paper

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The image is an ink drawing of a person standing in a relaxed posture. The figure faces forward with one arm resting on the side and the other raised, lightly touching their head. The face has classical proportions, with a straight nose and full lips, and the hair is depicted in curls. The body is mostly uncovered, with only hints of draped clothing around the shoulders. The person holds a cluster of foliage or a garland in one hand. The background includes architectural elements like a pillar and archway, with the area around the figure outlined with hatching for shadow and depth.

Drawing1997.130.1

Allegorical Figure with a Cat and a Pig

Jacopo di Giovanni di Francesco

c. 1530 · pen and brown ink over traces of black chalk on laid paper

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Print1943.3.7417

Allegorical Figure: Woman with Sword and Sphere

Francesco Francia or Peregrino da Cesena

c. 1490/1510 · niello print

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This is a drawing of various mythical or allegorical figures in dynamic poses. The drawing features several figures floating or flying across the composition, with swirling lines and fluid motion. Drapery and rhythmic lines emphasize the figures’ movement. The artist used a reddish sepia tone with soft shading to create the image, adding touches of blue to highlight parts of the garments. The figures are expressive, each carrying out different gestures. The positioning of these figures suggests a scene of mythological significance, with some appearing to hold objects like wings or instruments. The background is minimally detailed, making the figures the focal point of the composition.

Drawing1983.74.6

Allegorical Figures Seen from Below

Domenico Maria Canuti

Date not recorded · pen and brown ink with red wash, heightened with white, over red chalk

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The image displays a large circular portrait of a person in the center, framed by an ornate oval border with decorative elements, including a small animal figure above it. The color palette comprises earthy tones such as light brown, cream, and dark blue-grey shades. In the foreground, there is an hourglass to the left, a small book open in the middle beneath the portrait, and a small lamp on the right, all placed on a flat surface with draped fabric.

Drawing1978.84.1

Allegorical Frame with a Bat

Gabriel Jacques de Saint-Aubin

c. 1769 · pen and dark brown ink over graphite, red chalk, and black chalk with touches of white chalk on light brown laid paper, with partial framing line in pen and brown ink

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The image shows a pencil sketch of a reclining figure holding a large mirror at an angle. The figure has long hair and is wearing draped clothing. In the background, there is another figure with wavy hair partially emerging from a circular frame. Various abstract and architectural elements are present in the background, such as a tall obelisk and a structure on the left.

Drawing1978.84.2

Allegorical Frame with a Genius and a Veiled Woman Writing

Gabriel Jacques de Saint-Aubin

c. 1769 · black chalk on laid paper

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Sculpture1957.14.523

Allegorical Male Figure

Giovanni Bernardi

Date not recorded · bronze//Medium brown patina

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The image shows a round medallion sculpture with intricate relief work. At the center, there is a pillar with an angelic figure holding a wreath and wearing flowing garments. Surrounding the pillar are small human figures engaged in a maritime scene with cannons, ship sails, and flags inscribed with heraldic symbols. The background features a detailed depiction of the sea, sky, clouds, and flying cherubs. The medallion is bronze in color, with raised and engraved elements creating a contrast in texture. The design is reminiscent of historical commemorative pieces, suggesting a carefully crafted narrative involving maritime elements and possibly commemorating a historical event.

Sculpture2002.9.1.b

Allegorical Monument to the Liberation of Messina [reverse]

Giovanni Martino Hamerani

1678 · bronze

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The sculpture is a round, medallion-like piece featuring a mythical creature that combines features of a horse and a dragon, with the head of the horse having visible ears, eyes, and nostrils, transitioning into a scaly, serpent-like body. At the top of the medallion, there is a depiction of a reclining animal situated above a banner with inscriptions. The sculpture is made of a material that appears to be bronze or a similar metal, given its dark, coppery color and patina. The intricate details of the scales and the texture of the creature's mane and features are carefully rendered. The medallion also includes decorative elements around the border.

Sculpture1957.14.469.a

Allegorical Plaquette [obverse]

Italian 16th Century

first half 16th century · bronze//Medium brown patina

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The image shows a medallion featuring a nude male figure holding a key in one hand and a torch in the other, surrounded by celestial elements like stars and a globe in relief. The medallion is made of bronzed material with an aged appearance. There is a banner above the figure with unclear text and the year "1555" below. At the top, there is a loop-like structure for hanging or attachment, ornamented with a symbolic motif.

Sculpture1957.14.469.b

Allegorical Plaquette [reverse]

Italian 16th Century

first half 16th century · bronze//Medium brown patina

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Painting1961.9.57

Allegorical Portrait of Dante

Florentine 16th Century

late 16th century · oil on panel

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Print1994.84.3

Allegorical Portrait of Jean-Baptiste Hüet

Gilles Demarteau, the Elder after Jean-Baptiste Hüet, I after Jean-Augustin Léveillé

c. 1775 · chalk manner printed in red on laid paper

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Print2013.13.10

Allegorical Portrait of Pierre Buirette de Belloy

Louis-Simon Lempereur, after Nicolas-René Jollain

1767 · etching on laid paper [proof]

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This object appears to be a coin or medallion with relief engravings, featuring a scene of two individuals riding horses towards the right, accompanied by a tree with branches and blossoms on the left. The outer rim of the object is inscribed with the words "VICTORI GLORIA MAIOR ERIT." The bottom section of the object bears the letters "S C." The object appears gold with a brown patina in some areas.

Sculpture1942.9.219

Allegorical Representation of Victory

Italian 16th Century

c. 1500 · gilded bronze

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The sculpture depicts two male figures, both nude. One figure is standing and the other is sitting. The standing figure is on the left, leaning against a tree or post with one hand behind them. The standing figure's body is relaxed with crossed legs. The seated figure on the right appears older with a bearded face. The seated figure holds a stick or staff and seems to be in conversation with or gesturing to the standing figure. In the background, there are architectural and landscape elements including an arch and what looks like a broken column. The sculpture is made of bronze, with a dark brown color and a slight greenish patina in some areas. The relief is shallow, giving a carved, three-dimensional appearance.

Sculpture1957.14.276

Allegorical Scene

Ulocrino

early 16th century · bronze//Dark brown patina

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The sculpture portrays a scenic landscape with figures in a narrative setting. The central focus is on two human figures, one of which is an adult guiding a child, as they move through a natural setting. The scene is detailed with surrounding elements such as trees and an architectural structure resembling a small village or castle in the background. The entire sculpture is crafted from gold-colored material, giving it a lustrous and reflective quality. The texture and relief of the sculpture's surface give the figures and landscape depth and dimension, creating a dynamic scene.

Sculpture1957.14.569

Allegorical Scene

Peter Flötner

Date not recorded · gilded bronze

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The sculpture is a circular medallion featuring a relief depiction of a male figure holding a snake in one hand as he looks back over his shoulder. He is partially draped and appears muscular. In the background, there is a tree and an urn with extended, wing-like handles. The sculpture is made of a brown material with a textured surface, likely bronze or a similar metal. The word "VIRTUS" is inscribed at the bottom of the medallion. There is a hole at the top of the piece, possibly for suspension. The design captures a detailed scene within the small round space, reminiscent of historical emblems or medals.

Sculpture1957.14.352.a

Allegorical Scene [obverse]

Master I.S.A.

Date not recorded · bronze//Medium red-brown patina

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The image shows a round, bronze medallion with two figures. On the right, a seated winged figure holds a quill pen and a circular object in her left hand. Opposite her is a smaller winged figure holding a leafy branch. In the background, there is a tall, slender tree. The medallion has a weathered appearance and the figures are in relief. A small circular hole at the top suggests it could be hung.

Sculpture1957.14.352.b

Allegorical Scene [reverse]

Master I.S.A.

Date not recorded · bronze//Medium red-brown patina

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This is a photograph of a coin or medallion with engravings of cherubs or putti figures holding a crown and a bishop's mitre amidst clouds. Latin inscriptions "SANCTUS CAROLUS" and "PRÆCÆSOR" are seen around the edge. The background seems to depict a cityscape or fortified area.

Sculpture1985.49.1.b

Allegorical Scene [reverse]

Jan Roettiers

c. 1661 · silver

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