National Gallery of Art · Open Data

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Explore only works whose published-image record is explicitly marked open access by the National Gallery of Art. Every result includes eligible imagery and connects back to the museum.

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63,855 open-access works

63,855 NGA-open-access works
Dataset refreshed September 19, 2026

The image shows three figures in upper-body view. In the center, an older woman sits holding a flower and looking into a mirror. Standing behind her, another person adjusts her elaborate hair adornments. To the side, a young man assists in holding the mirror. A third figure, standing to the right, smiles while looking at the scene. Various objects are on the table in front of them. The background is an indoor setting with a textured wall and shadows emphasizing the figures.

Print1980.45.501

An Old Woman at the Toilet Table

Jeremias Falck after Johann Liss after Bernardo Strozzi

c. 1655-1660 · etching and engraving on laid paper

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Shown from the waist up on the other side of a strawberry-red table, an elderly, pale-skinned woman sits facing us, sleeping with her head propped on her hand in this vertical painting. She is brightly lit from our upper left, which creates deep shadows across her face, and behind and around her. The woman rests her cheek against her closed left fist, to our right. That elbow is propped on a gold and amber-yellow cushion tucked into the corner where the table meets the wall to our right. Her brows are slightly furrowed over deep-set eyes. She has loose jowls, thin lips, and wrinkles line the corners of her eyes and her mouth. Almost lost in shadow, her other hand rests on the large book lying open before her. She wears a black coat draped over a parchment-white garment. Her hair is covered by a ginger-brown and black striped veil that hangs to her shoulders. Three iron-gray keys hang from a rail running across the wall next to her at head height. The wall is sage green and mustard yellow in the light, and the corners and left edge are swallowed in shadow. The artist signed the painting in capital letters on the right, just above the rail, “N. Maes.”

Painting1937.1.63

An Old Woman Dozing over a Book

Nicolaes Maes

c. 1655 · oil on canvas

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The image shows a riverbank scene with a canoe on the water and various figures gathered on the bank. Small figures are engaged in different activities, surrounded by a forest in the background. The painting is detailed with smooth brushstrokes, primarily using earthy and natural tones. The artwork is enclosed in an oval frame.

Painting1965.16.280

An Omagua Village - Boat Sketch

George Catlin

1854/1869 · oil on card mounted on paperboard

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A drawing of a mythological scene with classical architecture and figures. The image features several figures in ancient attire engaged in various activities within a landscape setting. One figure rides a chariot drawn by horses amidst clouds in the sky. On the ground, there is a gathering of individuals around a bathing scene. Classical architecture, including columns and a domed structure, is present in the background. The detailed renderings of trees, buildings, and figures showcase a meticulous and skillful artistic approach.

Print1979.81.1

An Omen of Augustus's Future Greatness

Giulio Bonasone, after Giulio Romano

1531-1576 · engraving on blue paper

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This is a drawing of a horse-drawn carriage with two horses. In the foreground, there are two horses harnessed to an ornate carriage. The carriage has elaborate detailing. The horses are depicted with dynamic lines suggesting movement. The background is a muted wash indicating a busy street scene. The medium used is likely pencil with washes, creating a soft, atmospheric effect capturing the elegance and sophistication of a bygone era in transportation.

Drawing1985.64.92

An Open Carriage

Constantin Guys

Date not recorded · black wash on wove paper

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Drawing1942.9.673

An Oriental

Style of Rembrandt van Rijn

Date not recorded · pen and brown ink with brush and brown-black ink on laid paper

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The image shows a man sitting on a throne with intricate details. He has a beard, mustache, and styled hair under a crown. He wears regal robes with patterns, beads, and clasps. The man holds a sword and gazes intensely at the viewer. The throne has decorative armrests and a carved back. In the background, there is a shaded wall with the number "1523" on it.

Drawing1975.45.1

An Oriental Ruler Seated on His Throne

after Albrecht Dürer

1523 · pen and black ink

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This is a drawing of an abstract composition involving intertwined shapes and curves. The drawing features a series of intricate, swirling lines and forms. These shapes include curling motifs and possibly horn-like structures, with the central form resembling drapery or wings. The artist has used pencil or graphite to sketch the design on a light blue-gray paper. The drawing is bordered by a double-lined frame, shaded in tones of red and cream. The composition is dynamic and intricate.

Drawing1992.87.16

An Ornament with Symbols

Hubert François Gravelot

Date not recorded · graphite, incised for transfer on laid paper; laid down

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A large round shield with a decorative pattern rests in the center, overlapped by a quiver of arrows and a decorative staff, all sketched in pencil on beige paper. A ribbon-like element loops around the objects, and the scene is enclosed within a double-lined border with faint red lines visible. The shield is at the lower center, the quiver to the right, and the staff partially visible at the top left.

Drawing1992.87.17

An Ornamental Trophy

Hubert François Gravelot

Date not recorded · graphite, incised for transfer on laid paper; laid down

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This is a drawing of a ceiling design. The central feature is a circular medallion with classical motifs and mythological figures surrounded by decorative patterns. The design includes ornate borders separated by gilded lines, creating symmetry and detail. There are fresco-like frames in the corners and other sections with additional figures and ornamental details, reminiscent of neoclassical style. The colors are muted, enhancing the classical theme.

Drawing1993.13.2

An Ornate Ceiling with an Allegory of Spring

Giacomo Quarenghi

1790/1815 · pen and black ink with watercolor over graphite on faintly blued-green laid paper

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The image shows a detailed drawing of a large ornate urn or vase decorated with intricate carvings and handles, positioned centrally within the composition. The color palette consists of brown ink on a cream-colored paper, creating a monochrome appearance. The urn is placed vertically in the center of the image, with clear designs like floral motifs and intricate handles visible against a loosely sketched background. The urn's base sits on a surface indicated by a few strokes at the bottom, with other incomplete lines suggesting an unfinished setting.

Drawing1995.52.205.a

An Ornate Ewer [recto]

Sir David Wilkie

Date not recorded · pen and brown ink on wove paper

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The painting shows two figures riding on horseback from left to right across an open landscape. The composition features a horizon dividing grassy plains from hills in the background. The brushstrokes are detailed, portraying a sense of motion in the figures. The color palette includes warm earth tones for the figures, horses, and nearby surroundings, contrasted with softer greens and yellows in the landscape. The sky is depicted in a gentle blue with streaks of cloud.

Painting1965.16.71

An Osage Indian Pursuing a Camanchee

George Catlin

1861/1869 · oil on card mounted on paperboard

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This is a painting of a bustling market scene. The artwork depicts a vibrant marketplace filled with market stalls and numerous gathered figures. Baskets filled with various goods are visible among tents and tables that form the structure of the market. The figures are dressed in period attire. The artist employs soft colors with a delicate balance of lines to provide an impression of the lively and social atmosphere typical of a traditional market.

Drawing1995.52.142

An Outdoor Market

Samuel Prout

Date not recorded · graphite with watercolor on wove paper

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The sculpture on the coin is of a small owl perched on a branch. The coin is bronze in color. The owl has detailed feathers, a rounded body, and a distinct face with a prominent beak. Surrounding the owl, the coin is inscribed with text along the top and bottom edges, with a dotted border encircling the entire circumference of the coin. The design gives the impression of a relief, where the owl slightly protrudes from the surface.

Sculpture1957.14.739.b

An Owl [reverse]

Vittore Gambello

c. 1490/1500 · bronze//Late cast

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Drawing2009.70.100

An Unkind Wish

George Cruikshank

c. 1833 · pen and brown ink with watercolor on wove paper

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The image shows a person's arm from the shoulder down to the hand. The arm is slightly bent, with the hand gripping a rod or pole. The arm is wearing a long sleeve with a cuff at the wrist. The drawing uses soft lines, shading, and a reddish tone to depict the clothing's texture. The background is plain beige, emphasizing the arm without any distractions. No facial features are visible.

Drawing1995.52.206

An Upraised Arm

Sir David Wilkie

Date not recorded · black and red chalks heightened with white on wove paper

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The image depicts three large decorative urns or vases with intricate designs. The leftmost object has two tall handles and decorative banding around its opening and base. The central object is slimmer and taller, with prominent vertical segments and ornate detailing. The rightmost object is similar in structure but features an embossed spiral design. The color palette is soft beige tones with shades of brown for shading and highlighting details.

Drawing1998.105.1.xx

An Urn and Two Quivers

Jacques-Louis David

1775/80 · black ink and brown wash over graphite on beige laid paper

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The image displays a landscape with industrial elements. The horizon features buildings, smokestacks emitting smoke, a mound, and a turbulent sky with dynamic clouds. The art style includes bold brushstrokes and a monochromatic palette of blacks, grays, and white highlights. Additionally, there are distant mountains or hills, diagonal lines suggesting rainfall, and detailed ground texture leading towards the industrial scene.

Print2015.19.1349

Anaconda, Montana

Joseph Pennell

1915 · lithograph in black on laid paper

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This is a drawing of a group of classical figures in an architectural setting. The artwork features several figures, including a semi-nude woman and a reclining, bearded older man who is partially naked. The woman is holding a bowl up to the man's mouth in a nurturing gesture. Surrounding them are child-like figures, some with wings. The background includes architectural elements like columns and a sweeping architectural structure. The use of shading and line work highlights the flowing garments and emotive expressions of the figures. The composition is dynamic and full of movement, reminiscent of Baroque or Rococo styles, emphasizing movement and grandeur.

Print2018.91.36

Anacreon

Jean Jacques Lagrenée II

c. 1782 · etching, aquatint, and lift-ground aquatint printed in brown on laid paper

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The image contains rectangular and square panels, alongside curved and straight lines that intersect and overlap. Human figures are present, some alive and others sculpted, resembling classical sculptures and figures from art history. Various shapes like columns, leaves, and curls are interspersed, along with objects like books, a painter's easel, and a drafting compass. Smaller sketches include facial profiles, geometric patterns, and ornamental designs.

Print1944.5.77

Analysis of Beauty: pl.1

William Hogarth

1753 · etching and engraving

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This is a drawing of a dance taking place in an opulent interior space. The scene shows a large room with ornate walls adorned with portraits and illuminated by candle sconces. Elegantly dressed individuals are engaged in a formal dance. The central focus is a prominently dressed figure leading the dance with graceful movement, surrounded by others displaying joyful expressions and seeming immersed in the dance.

The border of the drawing is decorated with various smaller illustrations resembling elements of an art study or catalog, including swirls, head and face profiles, different hat styles, and anatomical features like eyes, noses, or ears, all meticulously numbered for reference. The style suggests a detailed and organized approach, possibly with a satirical or educational intent, as it combines elements of social illustration and scientific analysis.

Print1944.5.78

Analysis of Beauty: pl.2

William Hogarth

1753 · etching and engraving

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The image depicts the upper body of a seated person facing the viewer. The figure is an older man with a beard and bald head, displaying distinct facial features. He is dressed in a collared shirt with visible textures. His arms are positioned forward, with one hand extended in a gesture, fingers spread. The scene includes abstract lines and shading, creating an impression of an interior space, with a background of textured and linear patterns.

Print1943.3.8837

Anatole France

Anders Zorn

1906 · etching on laid C & I Honig paper

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This is a drawing of two limbs, specifically an arm and a leg. On the left, there is a detailed sketch of a muscular arm extending downward, with a bent elbow and a hand with fingers slightly curled. The right side of the image features a detailed sketch of a leg extending downward with attention to musculature and toes pointed downward. The drawing is executed with fine, dark lines, showcasing intricate anatomical details. Shadows and form are suggested through the use of cross-hatching. The backdrop consists of a simple, textured paper. Touches of red chalk appear on the right side.

Drawing1983.74.3

Anatomical Studies

Domenico Beccafumi

Date not recorded · pen and brown ink with red chalk in another hand

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The image shows a rusticated metal shackle with a cylindrical pin running through its loop. The color palette includes earthy brown tones with variations in shading due to the texture and patina of the metal. Positioned against a plain, light-colored background, the shackle appears prominently.

Index of American Design1943.8.8180

Anchor Link

Samuel Faigin

c. 1938 · watercolor and graphite on paper

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